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Don Traut

  • Professor, Music
  • Member of the Graduate Faculty
Contact
  • (520) 621-7013
  • Music, Rm. 224
  • Tucson, AZ 85721
  • dgtraut@arizona.edu
  • Bio
  • Interests
  • Courses
  • Scholarly Contributions
  • More
    • Creative Works

Biography

Don Traut is an associate professor of music theory. His research focuses primarily on the music of Igor Stravinsky, with a special interest on the composer's compositional sketches and what they tell us about the creative process. He has published articles on this and other topics in Theory and Practice, Popular Music, Indiana Theory Review, and Journal of Music Theory Pedagogy. Dr. Traut maintains an active presence at conferences as well, including recent presentations at the SMT National Conference, the CMS International Conference, and the European Music Analysis Conference. He holds degrees from the University of Wisconsin, La Crosse (BA), Louisiana State University (MM), and the Eastman School of Music (PhD).

More:

  • More Information on Don Traut

Degrees

  • Ph.D. Music Theory
    • Eastman School of Music
  • M.M. Music Theory
    • Louisiana State University
  • B.A. Music
    • University of Wisconsin-La Crosse

Work Experience

  • University of Arizona, Tucson, Arizona (2018 - Ongoing)
  • University of Arizona, Tucson, Arizona (2012 - 2018)
  • University of Arizona (2006 - 2012)
  • University of North Carolina-Greensboro (2002 - 2006)
  • University of North Carolina-Greensboro (2001 - 2002)
  • Eastman School of Music (1999 - 2001)
  • University of Rochester (1995 - 1999)

Awards

  • AMS 75-PAYS
    • American Musicological Society, Fall 2015
  • Subvention Grant
    • Society for Music Theory, Fall 2015
  • Daveen Fox Endowed Chair in Music Studies
    • Fred Fox School of Music, Spring 2015
  • Sabbatical Approval
    • Fall 2011
  • Associate Professor with Tenure
    • Spring 2010
  • Wakonse Teaching Fellow
    • Spring 2007

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Interests

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Courses

2025-26 Courses

  • Analysis of Contemporary Music
    MUS 521C (Fall 2025)
  • Coached Ensemble
    MUS 401 (Fall 2025)
  • Intro to Music Theory
    MUS 119 (Fall 2025)
  • Musical Skills+Struc II
    MUS 220A (Fall 2025)

2024-25 Courses

  • Coached Ensemble
    MUS 401 (Spring 2025)
  • Dissertation
    MUS 920 (Spring 2025)
  • Music Theory
    MUS 696C (Spring 2025)
  • Musical Skills+Struc II
    MUS 220B (Spring 2025)
  • Coached Ensemble
    MUS 401 (Fall 2024)
  • Intro to Music Theory
    MUS 119 (Fall 2024)
  • Musical Skills+Struc II
    MUS 220A (Fall 2024)
  • Workshop in Music
    MUS 497 (Fall 2024)

2023-24 Courses

  • Coached Ensemble
    MUS 401 (Spring 2024)
  • Coached Ensemble
    MUS 501 (Spring 2024)
  • Music Theory
    MUS 696C (Spring 2024)
  • Musical Skills+Struc I
    MUS 120B (Spring 2024)
  • Analysis of Contemporary Music
    MUS 521C (Fall 2023)
  • Coached Ensemble
    MUS 401 (Fall 2023)
  • Coached Ensemble
    MUS 501 (Fall 2023)
  • Intro to Music Theory
    MUS 119 (Fall 2023)
  • Musical Skills+Struc I
    MUS 120A (Fall 2023)

2022-23 Courses

  • Anlys Tonal Mus II:Chrom
    MUS 521B (Spring 2023)
  • Coached Ensemble
    MUS 401 (Spring 2023)
  • Dissertation
    MUS 920 (Spring 2023)
  • Musical Skills+Struc I
    MUS 120B (Spring 2023)
  • Analys of Contemp Musis
    MUS 521C (Fall 2022)
  • Coached Ensemble
    MUS 401 (Fall 2022)
  • Dissertation
    MUS 920 (Fall 2022)
  • Musical Skills+Struc I
    MUS 120A (Fall 2022)

2021-22 Courses

  • Anlys Tonal Mus II:Chrom
    MUS 521B (Spring 2022)
  • Coached Ensemble
    MUS 401 (Spring 2022)
  • Coached Ensemble
    MUS 501 (Spring 2022)
  • Dissertation
    MUS 920 (Spring 2022)
  • Musical Skills+Struc I
    MUS 120B (Spring 2022)
  • Analys of Contemp Musis
    MUS 521C (Fall 2021)
  • Coached Ensemble
    MUS 401 (Fall 2021)
  • Coached Ensemble
    MUS 501 (Fall 2021)
  • Dissertation
    MUS 920 (Fall 2021)
  • Musical Skills+Struc I
    MUS 120A (Fall 2021)

2020-21 Courses

  • Anlys Tonal Mus II:Chrom
    MUS 521B (Spring 2021)
  • Dissertation
    MUS 920 (Spring 2021)
  • Musical Skills+Struc I
    MUS 120B (Spring 2021)
  • Analys of Contemp Musis
    MUS 521C (Fall 2020)
  • Dissertation
    MUS 920 (Fall 2020)
  • Musical Skills+Struc I
    MUS 120A (Fall 2020)

2019-20 Courses

  • Anlys Tonal Mus II:Chrom
    MUS 521B (Spring 2020)
  • Dissertation
    MUS 920 (Spring 2020)
  • Post-Tonal Analysis
    MUS 623 (Spring 2020)
  • Practicum
    MUS 694 (Spring 2020)
  • Dissertation
    MUS 920 (Fall 2019)
  • Thesis
    MUS 910 (Fall 2019)

2018-19 Courses

  • Anlys Tonal Mus II:Chrom
    MUS 521B (Spring 2019)
  • Dissertation
    MUS 920 (Spring 2019)
  • Musical Skills+Struc I
    MUS 120B (Spring 2019)
  • Practicum
    MUS 694 (Spring 2019)
  • Theory Pedagogy
    MUS 622 (Spring 2019)
  • Thesis
    MUS 910 (Spring 2019)
  • Analys of Contemp Musis
    MUS 521C (Fall 2018)
  • Dissertation
    MUS 920 (Fall 2018)
  • Independent Study
    MUS 699 (Fall 2018)
  • Music Theory
    MUS 696C (Fall 2018)
  • Practicum
    MUS 694 (Fall 2018)
  • Thesis
    MUS 910 (Fall 2018)

2017-18 Courses

  • Dissertation
    MUS 920 (Spring 2018)
  • Musical Skills+Struc I
    MUS 120B (Spring 2018)
  • Post-Tonal Analysis
    MUS 623 (Spring 2018)
  • Anlys Tonal Mus II:Chrom
    MUS 521B (Fall 2017)
  • Crnt Trends Music Theory
    MUS 625A (Fall 2017)
  • Dissertation
    MUS 920 (Fall 2017)
  • Musical Skills+Struc I
    MUS 120A (Fall 2017)

2016-17 Courses

  • Analys of Contemp Musis
    MUS 521C (Spring 2017)
  • Anlys Tonal Mus II:Chrom
    MUS 521B (Spring 2017)
  • Dissertation
    MUS 920 (Spring 2017)
  • Music Theory
    MUS 696C (Spring 2017)
  • Dissertation
    MUS 920 (Fall 2016)

2015-16 Courses

  • Anlys Tonal Mus II:Chrom
    MUS 521B (Summer I 2016)
  • Dissertation
    MUS 920 (Spring 2016)
  • Form+Struc 20th Cent Mus
    MUS 320 (Spring 2016)
  • Post-Tonal Analysis
    MUS 623 (Spring 2016)

Related Links

UA Course Catalog

Scholarly Contributions

Books

  • Kinser-Traut, D. G. (2014). Stravinsky's Great Passacaglia. University of Rochester Press.
  • Kinser-Traut, D. G. (2014). Stravinsky's "Great Passacaglia": Recurring Motives in the Concerto for Piano and Wind Instruments. Rochester: University of Rochester Press.
    More info
    This represents the book proposal I submitted at the close of my sabbatical in Spring 2013. The proposal consists of 4 complete chapters, with a 5th on the way. Two outside readers reviewed the proposal and gave it strong recommendations to publish upon its completion, which should take place sometime in 2014.

Journals/Publications

  • Traut, D. G. (2013). Anti-Circles as an Explanatory Tool for Harmonic Progression in Pop-Rock Music. Musical Insights.
  • Traut, D. G. (2013). Four Sketch Pages from Stravinsky's Concerto for Piano and Wind Instruments. Journal of Band Research, 25.
  • Traut, D. (2014). Four sketch pages from Stravinsky's concerto for piano and wind instruments. Journal of Band Research, 49(2).
  • Kinser-Traut, D. G. (2012). Stravinsky's Sketches for the Great Chorale. Integral.
    More info
    David Smyth
  • Kinser-Traut, D. G. (2011). The Sketches for the Great Chorale from Stravinsky's Soldier's Tale. Integral.
    More info
    David Smyth (LSU)
  • Kinser-Traut, D. G. (2009). More on Transpositional Combination and Inversional Symmetry. Music Theory Online, N/A.
  • Kinser-Traut, D. G. (2009). The Sketches for the Grand Chorale from Stravinsky's "Soldier's Tale". Music Theory Spectrum, N/A.
    More info
    David Smyth
  • Kinser-Traut, D. G. (2008). More on Displacement in Stravinsky. Musical Quarterly, 1-15.
  • Traut, D. (2007). More on displacement in Stravinsky: A response to van den Toorn. Musical Quarterly, 90(3). doi:10.1093/musqtl/gdn014
  • Kinser-Traut, D. G. (2006). A Comparative Review of Three New Theory Textbooks. Journal of Music Theory Pedagogy, 18.

Presentations

  • Kinser-Traut, D. G. (2013, Spring). Tritone Spans in Stravinsky's Piano Concerto. Rocky Mountain Society for Music Theory Regional Conference. Flagstaff: NAU.
  • Kinser-Traut, D. G. (2012, Spring). Triangles, Trapezoids, and Triple Plagal Cadences. Florida Gulf Coast University Lecture Series. Fort Myers, FL.
    More info
    Individual Presenter
  • Kinser-Traut, D. G. (2011, Summer). Anti-Circles in Rock Chord Progressions. Music Analysis for Creative Research Organization Annual Meeting. Madison, Wisconsin.
    More info
    Individual Presenter
  • Kinser-Traut, D. G. (2009, Spring). Heinrich Schenker and Theory Pedagogy in America. Encuentros III. University of Costa Rica.
  • Kinser-Traut, D. G. (2009, Summer). Grouping Patterns in Tonal Music. Classroom instruction. University of Guatemala.
  • Kinser-Traut, D. G. (2008, Spring). Hierarchical Beats: Using Musical Rhythm to Teach Social Stratification. Pacific Sociological Association Regional Conference. Portland, Oregon.
    More info
    Individual Presenter
  • Kinser-Traut, D. G. (2008, Spring). Transpositional Combination, Inversional Symmetry, and the "None" Sets. Rocky Mountain Society for Music Theory Regional Conference. Utah State University.
    More info
    Individual Presenter
  • Kinser-Traut, D. G. (2007, Jan., 2007). “A Composer’s Workshop: Stravinsky’s Sketches for his “Grand Chorale”. Hawaii International Conference on Arts and Humanities. Honolulu.
  • Kinser-Traut, D. G. (2007, July 20). The Creative Process: Top-Down/Bottom-Up Processes in Stravinsky's Sketches. College Music Society International Meeting. Bangkok, Thailand.
  • Kinser-Traut, D. G. (2007, March 30). More on Displacement: A Response to Van den Toorn. Rocky Mountain Society for Music Theory Conference. Arizona State University, Tempe.
  • Kinser-Traut, D. G. (2007, March, 2007). “Stravinsky’s Blocks and Bach’s Tetrachords: The Sketches for the “Grand Chorale” from A Soldier’s Tale”. Music Theory Mid-Atlantic Regional Meeting. Washington, D.C. (Catholic University).
  • Kinser-Traut, D. G. (2007, Oct. 15). Same Structural Level, Different Formal Potential: Observations on Schenker's Deep-Middleground Paradigms. European International Music Analysis Conference. Freiburg, Germany.
  • Kinser-Traut, D. G. (2006, Nov, 2006). Stravinsky's Blocks and Bach's Tetrachords: The Sketches for the 'Grand Chorale' from A Soldier's Tale. Society for Music Theory National Conference. Los ANgeles.

Poster Presentations

  • Kinser-Traut, D. G. (2015, November). Geometric Shapes as Rock Chord Progressions. Ann Arbor Symposium IV. Ann Arbor - University of Michigan: UM School of Music.

Reviews

  • Kinser-Traut, D. G. (2017. The Rite of Spring at 100(p. 209). Bloomington.
  • Kinser-Traut, D. G. (2009. Review of David Martin's Counterpoint: A Species Approach Based on Schenker's Counterpoint(pp N/A). Music Theory Online.

Others

  • Kinser-Traut, D. G. (2017, November). Stravinsky's Concerto for Piano and Wind Instruments. Stravinsky Encyclopedia by Cambridge University Press.
  • Kinser-Traut, D. G. (2017, November). Stravinsky's Violin Concerto and Compositional Process. Encyclopedia.

Creative Works

  • Actors as Composers, Songwriters, and Performers; ABL-CIO; October; Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped our Culture
  • Jackson Browne; ABL-CIO; October; Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped our Culture
  • The Earworm Phenomenon; October 2015; Public Lecture as part of Confluence Center speaker series.

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