Morris Samuel Palter
- Associate Professor, Music
- Member of the Graduate Faculty
- (520) 621-7026
- Music, Rm. 109
- Tucson, AZ 85721
- mspalter@arizona.edu
Biography
Born in Canada, Morris Palter’s wide-range of musical interests have found him performing throughout North America, Asia, and Europe at some of the most prestigious festivals and concert venues including his Carnegie Hall’s Weill Recital Hall debut under famed composer/conductor Pierre Boulez in 2001. As a frequent guest at universities and conservatories worldwide, Morris has commissioned and/or premiered hundreds of new compositions, working with prominent composers and performers including Bob Becker, Joan Tower, Christopher Adler, Roger Reynolds, Anders Åstrand, Mark Menzies, Chou-wen Chung, John Luther Adams, James Tenney, Michael Roth, Phillipe Manoury, Scott Deal, Evelyn Glennie, David Lang, Stuart Saunders Smith, Eduard Zilberkant, Thomas DeLio, Michael Roth, Andres Diaz, Erik Griswold, Philip Manoury, Iancu Dimitriescu, Evan Ziporyn, Orlando Jacinto Garcia, Pauline Oliveros, Chris Tonkin, and Chinary Ung, among many others. Guest residencies include the “Roots and Rhizomes” summer percussion program (Banff Centre for the Arts), the Together Now Festival (Holland), the Open Ears Festival (Canada), the Technosonics Festival (University of Virginia), the University of British Columbia, the University of Miami, the University of Texas (Austin), and the Royal College of Music (London, UK).
Morris founded Ensemble 64.8 (University of Alaska Fairbanks resident percussion laboratory) in 2007, and served as its artistic director for nine years. The group performed chamber music with an emphasis on works by noted American and European composers was featured on concerts and festivals in Sweden, New York City, Toronto, PASIC, and across Alaska, working with famed performers/composers Christopher Adler, Bob Becker, and Anders Astrand. The group premiered six new percussion quintets composed by Alaskan, Matthew Burtner in 2009.
As a Novelty Jazz Xylophonist, Morris founded the Speak-Easy Duo (Colin McAllister, guitar) in 2003 and has appeared at the Rocky Mountain Ragtime Festival in Boulder, CO, the Bohèm Festival in Hungary, the Rotterdam Conservatory, the Orange County RagFest, the Breda Jazz Festival, NL, the West Coast Ragtime Festival, the Ragtime Xylophone Institute in Delaware, and the Koninklijk Conservatorium, Den Haag. Morris recently revived the Speak-Easy monikor at the University of Arizona where he directs the Speak-Easy novelty ragtime band.
In 2000, Morris co-founded NOISE (San Diego New Music), which has presented the soundON Festival of Modern Music each January in beautiful La Jolla, CA since 2008. Previous to the soundON Festival, NOISE presented an annual concert season, also in La Jolla. Morris was a member of the percussion group redfish bluefish (Artistic Director, Steven Schick) from 1999-2005 and has also been actively involved with theatre, working as composer and performer at both The Old Globe Theatre and the Tony Award Winning La Jolla Playhouse and has made recordings for various on and off-Broadway plays. July 2018 found Morris providing all the percussion music for the Shakespeare Center of Los Angeles’s production of King Henry IV, featuring Tom Hanks.
Morris was a member of the UAF Faculty Senate from 2009 – 2011, and was the Artistic Director for the University of Alaska Fairbanks New Music Festival and Co-Artistic Director for the soundON Festival of Modern Music held each year in San Diego. Morris was the host and director of the Focus Day of Percussion at the 2010 Percussive Arts Society International Convention and hosted the bi-yearly Alaska Day of Percussion. Morris was a member of the Percussive Arts Society New Music/Research Committee (2007-2015) and has been published in PAS journal and on Mellen Press, and is currently endorsed by Black Swamp Percussion, Sabian Cymbals, REMO drum heads, and Yamaha Percussion. Morris can be heard on New World Records, Tzadik Records, Centaur Records, Mode Records, Innova, and RCA/BMG and has received degrees from the University of Toronto, the Royal Conservatory, The Hague, and the University of California, San Diego where he received his doctorate of musical arts in 2005 and was a Lecturer in Music during the 2006/07 academic-year. Morris was an Associate Professor of Music at the University of Alaska Fairbanks (2012-2017) and is currently an Associate Professor of Music at the University of Arizona. In 2018, Morris is the founder and director of the Tócalo Tucson Summer Chamber Percussion Seminar. Past guests have included Casey Cangelosi, Bill Cahn (NEXUS), Bob Becker, (NEXUS, Steve Reich Ensemble), Matthew Burtner, and Anders Astrand. Please visit tocalotucson.org for more details.
Morris was named a 2012 Rasmuson Foundation Artist Fellowship and is an avid mountain biker (winter and summer), competing in the annual White Mountains 100 mile winter human-powered race four times (2011-14), the Tanana River Challenge (2014), and the 2012 and 2014 Sluice Box 100 mile summer mountain bike race. Morris has three top-ten race finishes to date and has competed in the 350-mile Iditarod Trail Invitational winter bike race across interior Alaska, 2015 and 2016.
Degrees
- D.M.A. Music Performance - Percussion
- University of California, San Diego, San Diego, California, United States
- The Solidification of Performance Practices in Solo Percussion Performance.
- M.M. Music Performance - Percussion
- University of California, San Diego, San Diego, California, United States
- N/A
- Artists Diploma Music Performance - Percussion
- Royal Conservatory of Music, The Hague, The Hague, The Netherlands, Netherlands
- N/A
- B.M. Music Performance
- University of Toronto, Toronto, Ontario, Canada
- N/A
Work Experience
- University of Arizona, Tucson, Arizona (2018 - Ongoing)
- University of Arizona, Tucson, Arizona (2017 - 2018)
- University of Arizona, Tucson, Arizona (2016 - 2017)
- University of Alaska Fairbanks (2007 - 2017)
- University of California, San Diego, San Diego, California (2005 - 2007)
Awards
- Malletech (Percussion Keyboard Instrument Maker)
- Malletech and KP3 - keyboard and keyboard mallet maker., Spring 2023
- President, Arizona Chapter, Percussive Arts Society
- Percussive Arts Society, Spring 2023
- “University of Arizona Fund for Percussion Studio Excellence”
- CFA, UA, Spring 2023
- Outside Evaluator, Promotion to and Tenure, U. of Michigan
- University of Michigan, Fall 2022
- Provost's Investment Fund
- University of Arizona, Provost, Fall 2022
- Chair, Dean's Advisory Committee
- CFA, Spring 2022
- Elected Official, Tucson, Ward 6 (Midtown), Board of Directors, Miramonte District
- City of Tucson, Spring 2022 (Award Nominee)
- Curricular Development Grant
- CFA, Fall 2019
- Certificate of Apprecitation
- Percussive Arts Society, Fall 2016
- Rasmuson Artist Fellowship
- Rasmusson Foundation (Alaska), Spring 2012
Interests
No activities entered.
Courses
2024-25 Courses
-
Doctoral Recitals
MUS 925 (Spring 2025) -
Music Individual Studies
MUSI 385 (Spring 2025) -
Music Individual Studies
MUSI 785 (Spring 2025) -
Small Conducted Ensemble
MUS 402 (Spring 2025) -
Spec Topics in Music Research
MUS 496S (Spring 2025) -
Coached Ensemble
MUS 401 (Fall 2024) -
Coached Ensemble
MUS 501 (Fall 2024) -
Doctoral Recitals
MUS 925 (Fall 2024) -
Master's Recital
MUS 915 (Fall 2024) -
Music Individual Studies
MUSI 385 (Fall 2024) -
Music Individual Studies
MUSI 685 (Fall 2024) -
Music Individual Studies
MUSI 785 (Fall 2024) -
Percussion Techniques
MUS 351D (Fall 2024) -
Small Conducted Ensemble
MUS 402 (Fall 2024) -
Small Conducted Ensemble
MUS 502 (Fall 2024) -
Spec Topics in Music Research
MUS 496S (Fall 2024)
2023-24 Courses
-
Coached Ensemble
MUS 401 (Spring 2024) -
Coached Ensemble
MUS 501 (Spring 2024) -
Doctoral Recitals
MUS 925 (Spring 2024) -
Music Individual Studies
MUSI 182 (Spring 2024) -
Music Individual Studies
MUSI 485 (Spring 2024) -
Music Individual Studies
MUSI 685 (Spring 2024) -
Music Individual Studies
MUSI 785 (Spring 2024) -
Pedagogy
MUS 410B (Spring 2024) -
Pedagogy
MUS 510B (Spring 2024) -
Senior Capstone:Recital
MUS 498 (Spring 2024) -
Small Conducted Ensemble
MUS 402 (Spring 2024) -
Small Conducted Ensemble
MUS 502 (Spring 2024) -
Spec Topics in Music Research
MUS 496S (Spring 2024) -
Coached Ensemble
MUS 401 (Fall 2023) -
Coached Ensemble
MUS 501 (Fall 2023) -
Doctoral Recitals
MUS 925 (Fall 2023) -
Music Individual Studies
MUSI 485 (Fall 2023) -
Music Individual Studies
MUSI 685 (Fall 2023) -
Music Individual Studies
MUSI 785 (Fall 2023) -
Percussion Techniques
MUS 351D (Fall 2023) -
Small Conducted Ensemble
MUS 402 (Fall 2023) -
Small Conducted Ensemble
MUS 502 (Fall 2023) -
Spec Topics in Music Research
MUS 496S (Fall 2023)
2022-23 Courses
-
Coached Ensemble
MUS 401 (Spring 2023) -
Coached Ensemble
MUS 501 (Spring 2023) -
Doctoral Recitals
MUS 925 (Spring 2023) -
Music Individual Studies
MUSI 185 (Spring 2023) -
Music Individual Studies
MUSI 785 (Spring 2023) -
Small Conducted Ensemble
MUS 402 (Spring 2023) -
Small Conducted Ensemble
MUS 502 (Spring 2023) -
Spec Topics in Music Research
MUS 496S (Spring 2023) -
Coached Ensemble
MUS 401 (Fall 2022) -
Coached Ensemble
MUS 501 (Fall 2022) -
Doctoral Recitals
MUS 925 (Fall 2022) -
Music Individual Studies
MUSI 182 (Fall 2022) -
Music Individual Studies
MUSI 482 (Fall 2022) -
Music Individual Studies
MUSI 785 (Fall 2022) -
Small Conducted Ensemble
MUS 402 (Fall 2022) -
Small Conducted Ensemble
MUS 502 (Fall 2022) -
Spec Topics in Music Research
MUS 496S (Fall 2022)
2021-22 Courses
-
Coached Ensemble
MUS 401 (Spring 2022) -
Coached Ensemble
MUS 501 (Spring 2022) -
Doctoral Recitals
MUS 925 (Spring 2022) -
Music Individual Studies
MUSI 181 (Spring 2022) -
Music Individual Studies
MUSI 182 (Spring 2022) -
Music Individual Studies
MUSI 485 (Spring 2022) -
Music Individual Studies
MUSI 785 (Spring 2022) -
Senior Capstone:Recital
MUS 498 (Spring 2022) -
Small Conducted Ensemble
MUS 402 (Spring 2022) -
Small Conducted Ensemble
MUS 502 (Spring 2022) -
Spec Topics in Music Research
MUS 496S (Spring 2022) -
Coached Ensemble
MUS 401 (Fall 2021) -
Coached Ensemble
MUS 501 (Fall 2021) -
Doctoral Recitals
MUS 925 (Fall 2021) -
Music Individual Studies
MUSI 181 (Fall 2021) -
Music Individual Studies
MUSI 182 (Fall 2021) -
Music Individual Studies
MUSI 285 (Fall 2021) -
Music Individual Studies
MUSI 382 (Fall 2021) -
Music Individual Studies
MUSI 385 (Fall 2021) -
Music Individual Studies
MUSI 485 (Fall 2021) -
Music Individual Studies
MUSI 785 (Fall 2021) -
Pedagogy
MUS 410A (Fall 2021) -
Percussion Techniques
MUS 351D (Fall 2021) -
Small Conducted Ensemble
MUS 402 (Fall 2021) -
Small Conducted Ensemble
MUS 502 (Fall 2021) -
Spec Topics in Music Research
MUS 496S (Fall 2021)
2020-21 Courses
-
Coached Ensemble
MUS 401 (Spring 2021) -
Coached Ensemble
MUS 501 (Spring 2021) -
Doctoral Recitals
MUS 925 (Spring 2021) -
Master's Recital
MUS 915 (Spring 2021) -
Music Individual Studies
MUSI 181 (Spring 2021) -
Music Individual Studies
MUSI 185 (Spring 2021) -
Music Individual Studies
MUSI 285 (Spring 2021) -
Music Individual Studies
MUSI 482 (Spring 2021) -
Music Individual Studies
MUSI 485 (Spring 2021) -
Music Individual Studies
MUSI 685 (Spring 2021) -
Music Individual Studies
MUSI 785 (Spring 2021) -
Percussion Techniques
MUS 351D (Spring 2021) -
Senior Capstone:Recital
MUS 498 (Spring 2021) -
Small Conducted Ensemble
MUS 402 (Spring 2021) -
Small Conducted Ensemble
MUS 502 (Spring 2021) -
Spec Topics in Music Research
MUS 496S (Spring 2021) -
Coached Ensemble
MUS 401 (Fall 2020) -
Coached Ensemble
MUS 501 (Fall 2020) -
Doctoral Recitals
MUS 925 (Fall 2020) -
Music Individual Studies
MUSI 181 (Fall 2020) -
Music Individual Studies
MUSI 185 (Fall 2020) -
Music Individual Studies
MUSI 282 (Fall 2020) -
Music Individual Studies
MUSI 285 (Fall 2020) -
Music Individual Studies
MUSI 482 (Fall 2020) -
Music Individual Studies
MUSI 485 (Fall 2020) -
Music Individual Studies
MUSI 685 (Fall 2020) -
Music Individual Studies
MUSI 785 (Fall 2020) -
Pedagogy
MUS 410A (Fall 2020) -
Pedagogy
MUS 510A (Fall 2020) -
Small Conducted Ensemble
MUS 402 (Fall 2020) -
Small Conducted Ensemble
MUS 502 (Fall 2020) -
Spec Topics in Music Research
MUS 496S (Fall 2020)
2019-20 Courses
-
Coached Ensemble
MUS 201 (Spring 2020) -
Coached Ensemble
MUS 401 (Spring 2020) -
Coached Ensemble
MUS 501 (Spring 2020) -
Doctoral Recitals
MUS 925 (Spring 2020) -
Music Individual Studies
MUSI 181 (Spring 2020) -
Music Individual Studies
MUSI 182 (Spring 2020) -
Music Individual Studies
MUSI 185 (Spring 2020) -
Music Individual Studies
MUSI 282 (Spring 2020) -
Music Individual Studies
MUSI 285 (Spring 2020) -
Music Individual Studies
MUSI 382 (Spring 2020) -
Music Individual Studies
MUSI 385 (Spring 2020) -
Music Individual Studies
MUSI 580 (Spring 2020) -
Music Individual Studies
MUSI 685 (Spring 2020) -
Music Individual Studies
MUSI 785 (Spring 2020) -
Percussion Techniques
MUS 351D (Spring 2020) -
Practicum
MUS 694 (Spring 2020) -
Small Conducted Ensemble
MUS 202 (Spring 2020) -
Small Conducted Ensemble
MUS 402 (Spring 2020) -
Small Conducted Ensemble
MUS 502 (Spring 2020) -
Spec Topics in Music Research
MUS 496S (Spring 2020) -
Coached Ensemble
MUS 201 (Fall 2019) -
Coached Ensemble
MUS 401 (Fall 2019) -
Coached Ensemble
MUS 501 (Fall 2019) -
Doctoral Recitals
MUS 925 (Fall 2019) -
Music Individual Studies
MUSI 181 (Fall 2019) -
Music Individual Studies
MUSI 182 (Fall 2019) -
Music Individual Studies
MUSI 185 (Fall 2019) -
Music Individual Studies
MUSI 282 (Fall 2019) -
Music Individual Studies
MUSI 285 (Fall 2019) -
Music Individual Studies
MUSI 382 (Fall 2019) -
Music Individual Studies
MUSI 385 (Fall 2019) -
Music Individual Studies
MUSI 482 (Fall 2019) -
Music Individual Studies
MUSI 580 (Fall 2019) -
Music Individual Studies
MUSI 685 (Fall 2019) -
Music Individual Studies
MUSI 785 (Fall 2019) -
Practicum
MUS 694 (Fall 2019) -
Small Conducted Ensemble
MUS 202 (Fall 2019) -
Small Conducted Ensemble
MUS 402 (Fall 2019) -
Small Conducted Ensemble
MUS 502 (Fall 2019) -
Spec Topics in Music Research
MUS 496S (Fall 2019)
2018-19 Courses
-
Coached Ensemble
MUS 201 (Spring 2019) -
Coached Ensemble
MUS 401 (Spring 2019) -
Coached Ensemble
MUS 501 (Spring 2019) -
Doctoral Recitals
MUS 925 (Spring 2019) -
Music Individual Studies
MUSI 181 (Spring 2019) -
Music Individual Studies
MUSI 182 (Spring 2019) -
Music Individual Studies
MUSI 185 (Spring 2019) -
Music Individual Studies
MUSI 282 (Spring 2019) -
Music Individual Studies
MUSI 285 (Spring 2019) -
Music Individual Studies
MUSI 385 (Spring 2019) -
Music Individual Studies
MUSI 482 (Spring 2019) -
Music Individual Studies
MUSI 485 (Spring 2019) -
Music Individual Studies
MUSI 685 (Spring 2019) -
Music Individual Studies
MUSI 785 (Spring 2019) -
Pedagogy
MUS 410B (Spring 2019) -
Pedagogy
MUS 510B (Spring 2019) -
Percussion Instrument
MUS 153 (Spring 2019) -
Practicum
MUS 694 (Spring 2019) -
Small Conducted Ensemble
MUS 202 (Spring 2019) -
Small Conducted Ensemble
MUS 402 (Spring 2019) -
Coached Ensemble
MUS 201 (Fall 2018) -
Coached Ensemble
MUS 401 (Fall 2018) -
Coached Ensemble
MUS 501 (Fall 2018) -
Doctoral Recitals
MUS 925 (Fall 2018) -
Music Individual Studies
MUSI 181 (Fall 2018) -
Music Individual Studies
MUSI 182 (Fall 2018) -
Music Individual Studies
MUSI 185 (Fall 2018) -
Music Individual Studies
MUSI 282 (Fall 2018) -
Music Individual Studies
MUSI 285 (Fall 2018) -
Music Individual Studies
MUSI 382 (Fall 2018) -
Music Individual Studies
MUSI 385 (Fall 2018) -
Music Individual Studies
MUSI 482 (Fall 2018) -
Music Individual Studies
MUSI 485 (Fall 2018) -
Music Individual Studies
MUSI 685 (Fall 2018) -
Music Individual Studies
MUSI 785 (Fall 2018) -
Practicum
MUS 694 (Fall 2018) -
Senior Capstone:Recital
MUS 498 (Fall 2018) -
Small Conducted Ensemble
MUS 202 (Fall 2018) -
Small Conducted Ensemble
MUS 402 (Fall 2018)
2017-18 Courses
-
Coached Ensemble
MUS 201 (Spring 2018) -
Coached Ensemble
MUS 401 (Spring 2018) -
Coached Ensemble
MUS 501 (Spring 2018) -
Dissertation
MUS 920 (Spring 2018) -
Doctoral Recitals
MUS 925 (Spring 2018) -
Master's Recital
MUS 915 (Spring 2018) -
Music Individual Studies
MUSI 182 (Spring 2018) -
Music Individual Studies
MUSI 185 (Spring 2018) -
Music Individual Studies
MUSI 282 (Spring 2018) -
Music Individual Studies
MUSI 285 (Spring 2018) -
Music Individual Studies
MUSI 385 (Spring 2018) -
Music Individual Studies
MUSI 482 (Spring 2018) -
Music Individual Studies
MUSI 485 (Spring 2018) -
Music Individual Studies
MUSI 685 (Spring 2018) -
Music Individual Studies
MUSI 785 (Spring 2018) -
Pedagogy
MUS 510B (Spring 2018) -
Percussion Instrument
MUS 153 (Spring 2018) -
Small Conducted Ensemble
MUS 202 (Spring 2018) -
Small Conducted Ensemble
MUS 402 (Spring 2018) -
Small Conducted Ensemble
MUS 502 (Spring 2018) -
Coached Ensemble
MUS 201 (Fall 2017) -
Coached Ensemble
MUS 401 (Fall 2017) -
Coached Ensemble
MUS 501 (Fall 2017) -
Doctoral Recitals
MUS 925 (Fall 2017) -
Music Individual Studies
MUSI 185 (Fall 2017) -
Music Individual Studies
MUSI 282 (Fall 2017) -
Music Individual Studies
MUSI 285 (Fall 2017) -
Music Individual Studies
MUSI 385 (Fall 2017) -
Music Individual Studies
MUSI 482 (Fall 2017) -
Music Individual Studies
MUSI 485 (Fall 2017) -
Music Individual Studies
MUSI 685 (Fall 2017) -
Music Individual Studies
MUSI 785 (Fall 2017) -
Small Conducted Ensemble
MUS 202 (Fall 2017) -
Small Conducted Ensemble
MUS 402 (Fall 2017) -
Small Conducted Ensemble
MUS 502 (Fall 2017)
2016-17 Courses
-
Coached Ensemble
MUS 201 (Spring 2017) -
Coached Ensemble
MUS 401 (Spring 2017) -
Coached Ensemble
MUS 501 (Spring 2017) -
Dissertation
MUS 920 (Spring 2017) -
Doctoral Recitals
MUS 925 (Spring 2017) -
Music Individual Studies
MUSI 182 (Spring 2017) -
Music Individual Studies
MUSI 185 (Spring 2017) -
Music Individual Studies
MUSI 285 (Spring 2017) -
Music Individual Studies
MUSI 382 (Spring 2017) -
Music Individual Studies
MUSI 385 (Spring 2017) -
Music Individual Studies
MUSI 485 (Spring 2017) -
Music Individual Studies
MUSI 685 (Spring 2017) -
Pedagogy
MUS 410B (Spring 2017) -
Pedagogy
MUS 510B (Spring 2017) -
Percussion Instrument
MUS 153 (Spring 2017) -
Small Conducted Ensemble
MUS 202 (Spring 2017) -
Small Conducted Ensemble
MUS 402 (Spring 2017) -
Small Conducted Ensemble
MUS 502 (Spring 2017) -
Coached Ensemble
MUS 201 (Fall 2016) -
Coached Ensemble
MUS 401 (Fall 2016) -
Coached Ensemble
MUS 501 (Fall 2016) -
Doctoral Recitals
MUS 925 (Fall 2016) -
Percussion
MUSI 182Z (Fall 2016) -
Percussion
MUSI 185Z (Fall 2016) -
Percussion
MUSI 285Z (Fall 2016) -
Percussion
MUSI 385Z (Fall 2016) -
Percussion
MUSI 485Z (Fall 2016) -
Percussion
MUSI 785Z (Fall 2016) -
Small Conducted Ensemble
MUS 202 (Fall 2016) -
Small Conducted Ensemble
MUS 402 (Fall 2016) -
Small Conducted Ensemble
MUS 502 (Fall 2016)
Scholarly Contributions
Creative Productions
- Palter, M. S. (2023.
In 2022, I commissioned famed percussionist/composer, Russell Hartenberger (Academy Award Winner, multi-Grammy Award Winner - founding member Steve Reich Ensembe, NEXUS Percussion Ensemble) to compose me a solo multiple percussion work. On October 23, 2023, Russell came to Tucson to produce the recording which we did in Crowder Hall (Wiley Ross, recording engineer, Carson Scott, videographer, Morris Palter - performer). The sheet must was published on Liquidrum - one of the most successful online percussion-source sites for all things related to percussion music, method books, and other print materials. The video recording was released in conjunction with the sheet music release. Music attached. The video is on youtube.com. The link for the video is:
https://www.youtube.com/watch?v=iozazV61pPg. School of Music, Crowder Hall. - Palter, M. S. (2022. Songs of Earth and Air (The Vocal Works of Rhian Samuel)FFSoM. https://www.lorelt.co.uk/146More infoSongs of Earth and Air (The Vocal Works of Rhian Samuel) Recording of the chamber work, “Rondeau” by myself, and members of the U. of AZ instrumental faculty, Lorlet Records (LNT146) Released, October 2022 for international distribution
- Palter, M. S. (2022. Tócalo Tucson Chamber Percussion Seminar (founder, director). . Fred Fox School of Music. U. of Arizona, Tucson. FFSoM: CFA, FFSoM, Malletech, Pearl Adams, Black Swamp Percussion, Zildjian Cymbals. https://tocalotucson.orgMore infoTócalo Tucson Chamber Percussion Seminar (founder, director). Oversee all aspects of this 10-day summer percussion seminar. 18 percussionists from across the US and Canada attended. Guest Artists included Russell Hartenberger (founding member, NEXUS, Steve Reich Ensemble, multi-Grammy award winner), and Michael Burritt (President, Percussive Arts Society, director of percussion, Eastman School of Music). Two dedicated free public concerts, daily clinics, masterclasses, private lessons, rehearsals, organize flights, hotels, on-campus housing for participants, off-campus excursions, etc.
- Palter, M. S. (2022. Percussive Arts Society Spring Percussion Fest 2022. UA, FFSoM. FFSoM: PAS.More infoIn 2021, I was voted President, Arizona Chapter of the Percussive Arts Society (three-year appointment). In 2022, I hosted and organized the PAS Spring Percussion Fest at the FFSoM. This was a one-day event and included our Solo and Ensemble competition (high school, and collegiate level), two dedicated clinics (Brett Reed/Doug Nottingham Duo, Alana Wiesing), and our dedicated evening concert featuring our solo and ensemble winners, as well as numerous college and high school chamber percussion performances. I performed with the UA percussion ensembles. Over 100 percussionists attended.
Creative Performances
- Palter, M. S. (2023. Drum Set player for Rock Shabbat at Temple Emmanuel Synagogue.. Concert Performance. Temple Emmanuel Synagoge - Tucson, AZ: Temple Emmanuel.
- Palter, M. S. (2023. Musical Murals - downtown Tucson annual event sponsored by the School of Music. I oversaw the participation of the entire percussion studio - African Drumming, and the Speak Easy Novelty Ragtime Band performances.. Musical Murals. Downtown Tucson: School of Music.
- Palter, M. S. (2023. Tucson Symphony Orchestra - Percussion Section - Classics 6 Venezuelan Valentine. TSO performance in percussion section. Linda Ronstadt Hall: TSO.
- Palter, M. S. (2023. Tucson Symphony Orchestra - Percussion Section - Pops 3 Cycle. TSO performance - percussion section. Linda Ronstadt Hall: TSO.
- Palter, M. S. (2023. Tucson Symphony Orchestra - Percussion Section - TSO Kinder Konzerts. TSO performances - percussion section. Linda Ronstadt Hall: TSO.
- Palter, M. S. (2023. Tucson Symphony Orchestra - Percussion Section - Tucson Mariachi Conference. TSO performance - percussion section. Linda Ronstadt Hall.
- Palter, M. S. (2023. Tucson Symphony Orchestra Performance - Percussion Section - Classic 2 Cycle. TSO. Linda Ronstadt Hall: TSO.
- Palter, M. S. (2023. Tucson Symphony Orchestra Performance - Percussion Section - Community Service Cycle. TSO. Linda Ronstadt Hall: TSO.
- Palter, M. S. (2023. Tucson Symphony Orchestra Performance - Percussion Section - Raiders of the Lost Ark - perform music live along to the movie.. TSO. Linda Ronstadt Hall: TSO.
- Palter, M. S. (2023. Tucson Symphony Orchestra Performance - percussion section - Young People's Concert. TSO concert. Linda Ronstadt Hall: TSO.
- Palter, M. S. (2023. soundON Festival of Modern Music - Three days of concerts, masterclasses, lectures in La Jolla, CA - founding member, co-director - REVIEW link
https://www.sandiegouniontribune.com/entertainment/classical-music/story/2023-01-09/review-san-diego-new-musics-soundon-festival-carries-on-long-tradition-of-compelling-new-premieres. SoundON Fesival of Modern Music. La Jolla, CA - Athenaeum Library: San Diego New Music. https://www.sandiegouniontribune.com/entertainment/classical-music/story/2023-01-09/review-san-diego-new-musics-soundon-festival-carries-on-long-tradition-of-compelling-new-premieresMore infoConcert Review in the San Diego Tribune newspaper. Link above. - Palter, M. S. (2022. KAIDA 5 - Ari Kaida (Dhagina Dha) . Solo snare performance/video recording. N/A: N/A. https://www.youtube.com/watch?v=9hFyC5c0gWw&t=77sMore infoKAIDA 5 - Ari Kaida (Dhagina Dha) – Solo snare drum recording. Requested by composer, Shawn Mativetsky, to record his snare solo for video publication.
- Palter, M. S. (2022. Chamber performance, Mudra. Chamber Concert.More infoChamber performance of the work, Mudra - Bob Becker
- Palter, M. S. (2022. Dedicated clinic and performance at Glendale Commmunity College (Phoenix). Clinic and performance.More infoMulti-Percussion performance clinic, Glendale Community College.
- Palter, M. S. (2022. Residency, Southern Oregon Univerisity. Performances, clinics, and masterclass at Southern Oregon University. Southern Oregon University, Medford, OR: Southern Oregon University.More infoPerformances, clinics, and masterclass at Southern Oregon University
- Palter, M. S. (2022. Snare clinics . two dedicated snare clinics for FFSoM percussionists.More infoTwo dedicated snare clinics at the FFSoM.
- Palter, M. S. (2022. Temple Emmanuel chamber performance . Temple Emmanuel Performance.More infoPerformance at Temple Emmanuel for their Friday night Shabbat service
Others
- Palter, M. S. (2023, Februrary). Help organize clinic/MC from percussionist Todd Hammas.
- Palter, M. S. (2023, January). Host, Terry Longshore (Southern Oregon University, director of percussion). Clinic and masterclass performance at FFSoM. .
- Palter, M. S. (2023, March). Organize Dr. Norm Weinberg masterclass/clinic at School of Music.
- Palter, M. S. (2023, October). Organize Dr. Trevor Barroero clinic/masterclass at School of Music.
- Palter, M. S. (2023, September). Organize Dr. Aiyun Huang masterclass/clinic at School of Music.
- Palter, M. S. (2023, Septemer). Outside Evaluator - Dr. Mike Truesdell - Promotion and Tenure recommendation, Ithica College, NY..
- Palter, M. S. (2024, January).
Publication of commissioned piece, "Sevenly Reward" by multi-Grammy Award Winner, Bob Becker (Steve Reich Ensemble, NEXUS percussion ensemble). The commissioned piece "Sevenly Reward" is now available for purchase from Malletech/KPP. From Bob Becker's website:
https://www.nexuspercussion.com/2024/01/sevenly-reward-published-by-kpp/
. - Palter, M. S. (2022, February). I hosted Jim Babor (Principal Percussion, Los Angeles Philharmonic). He did a clinic and masterclass at the FFSoM.
- Palter, M. S. (2023, January). New Commissioned trio work with Duo Entre-Nous (Dr. Jackie Glazier, Don-Paul Kahl) from composer, Robert Lemay. .More infoNew Commissioned trio work with Duo Entre-Nous (Dr. Jackie Glazier, Don-Paul Kahl) from composer, Robert Lemay.
Creative Works
- Black Coyote; Video; Liquidrum; November 2023; Youtube for video, Liquidrum for the composition publication; In 2022, I commissioned famed percussionist/composer, Russell Hartenberger (Academy Award Winner, multi-Grammy Award Winner - founding member Steve Reich Ensembe, NEXUS Percussion Ensemble) to compose me a solo multiple percussion work. On October 23, 2023, Russell came to Tucson to produce the recording which we did in Crowder Hall (Wiley Ross, recording engineer, Carson Scott, videographer, Morris Palter - performer). The sheet must was published on Liquidrum - one of the most successful online percussion-source sites for all things related to percussion music, method books, and other print materials. The video recording was released in conjunction with the sheet music release. Music attached. The video is on youtube.com. The link for the video is:https://www.youtube.com/watch?v=iozazV61pPg
- Thomas DeLio: Selected Compositions III; CD Release on Neuma Records; Neuma Records; May 2019; Neuma Records (450-120); I recorded the percussion solo, "wave / s" composed by Thomas DeLio. This recording of his work appears on the Neuma Records CD, "Thomas DeLio: Selected Compositions III"
- @percussion audio online blog; Audio blog post; Casey Cangelosi; June 2017; youtube; Percussionist hosts a weekly online audio blog with guest artists - this was a 90 minute audio blog interview - Facebook live, and is archived on YouTube. https://www.youtube.com/watch?v=OtpH5Kftdjs
- Full Circle: NOISE plays the music of Stuart Saunders Smith; CD; Centaur Records; December 2016; Centaur Records; A full CD chamber recording of the music of American composer, Stuart Saunders Smith, by the contemporary chamber group, NOISE. The group consists of one of each - cello, violin, piano, guitar, flute, clarinet, and percussion. I am the percusisonist.
- Circulation Groove; Printed media with electronic playback; Matthew Burtner Music; N/A; As part of a new commission project, I commissioned composer Matthew Burtner (Emmy Award Winner, director of composition and computer music at the University of Virgina). The piece is titled, "Circulation Groove" for drumset and pre-recorded electronics. It has not been premiered as of yet. I received this piece in Janaury of 2020 for my 50th birthday.