Biography
Roweena Mackay is the area head of Live & Screened Performance at the University of Arizona, she also teaches theatre at the Tohono O'odham Community College. She is a member of the Literary Managers and Dramaturgs of the Americas.
As a dramaturg, she has worked with August Wilson (Radio Golf, Yale Repertory Theatre), Culture Clash (Culture Clash in AmeriCCa, Yale Repertory Theatre), Mac Wellman (Two September, The Flea), Liz Swados (Kaspar Hauser, The Flea), Qui Nguyen (She Kills Monsters, NyLon), Rhiana Yazzie (The Dreaming Bundle, New Native Theatre) and Jon Bernson (When Lighting the Void, Bay Area Playwrights Festival). From 2006 – 2009, she was the resident dramaturg for Bone Orchard, an ensemble-based theatre company in NYC which she co-founded with theatre and film director, Anna Jones Rodriguez.
Roweena is also an independent contractor in film, television and new media: production credits include Art Department Coordinator for Sorry to Bother You (dir. Boots Riley), Location Manager for Appropriate Behavior (dir. Desiree Akhavan), Assistant Director for Glass Chin (dir. Noah Buschel), Script Supervisor for Anyone But Me (dir. Tina Cesa Ward), Production Coordinator for John Leguizamo's Ghetto Clown (dir. Fisher Stevens), Producer for CC Dances the Go-Go (dir. Erin Buckley), Producer for The Birch Grove (choreographed by Gabrielle Lansner) and most recently, Researcher for Presumed Innocent (Apple TV).
Other professional highlights include working for 59E59 Theaters, Theatre Communications Group, Trisha Brown's Dance Company, the Playwright's Foundation and Borderlands Theater.
Roweena is currently digging in archives for a project she is developing on Native American participation in the 1940 movie Arizona and she is also interviewing her colleague Rick Wamer for a volume on Ecodramaturgies for the Routledge Focus on Dramaturgy series, edited by Magda Romanska.
Degrees
- M.F.A. Dramaturgy and Dramatic Criticism
- Yale School of Drama, New Haven, Connecticut, United States
Interests
Teaching
Dramaturgy and Cultural Studies
Research
Native American Representation and Participation in U.S .Theatre, Film and Television
Courses
2025-26 Courses
-
Clq in Career Development
TAR 395A (Spring 2026) -
Honors Independent Study
TAR 399H (Spring 2026) -
Honors Thesis
MUS 498H (Spring 2026) -
Independent Study
TAR 399 (Spring 2026) -
Internship
TAR 493 (Spring 2026) -
Popular Entertainment
TFTV 160D1 (Spring 2026) -
Practicum
TAR 494 (Spring 2026) -
Preceptorship
TAR 391 (Spring 2026) -
Prin Dramatic Structure
TFTV 145 (Spring 2026) -
Senior Capstone
TAR 498 (Spring 2026) -
Theatre History II
TAR 341 (Spring 2026) -
Honors Independent Study
TAR 399H (Fall 2025) -
Honors Thesis
MUS 498H (Fall 2025) -
Independent Study
TAR 399 (Fall 2025) -
Popular Entertainment
TFTV 160D1 (Fall 2025) -
Practicum
TAR 394 (Fall 2025) -
Prin Dramatic Structure
TFTV 145 (Fall 2025) -
Theatre History I
TAR 340 (Fall 2025)
2024-25 Courses
-
Broadway and Beyond
TAR 103 (Summer I 2025) -
Independent Study
TAR 399 (Summer I 2025) -
Popular Entertainment
TFTV 160D1 (Summer I 2025) -
Clq in Career Development
TAR 395A (Spring 2025) -
Independent Study
TAR 399 (Spring 2025) -
Popular Entertainment
TFTV 160D1 (Spring 2025) -
Practicum
TAR 494 (Spring 2025) -
Prin Dramatic Structure
TFTV 145 (Spring 2025) -
Workshop Performance
TAR 497W (Spring 2025) -
Independent Study
TAR 399 (Fall 2024) -
Internship
TAR 493 (Fall 2024) -
Popular Entertainment
TFTV 160D1 (Fall 2024) -
Prin Dramatic Structure
TFTV 145 (Fall 2024) -
Senior Capstone
TAR 498 (Fall 2024) -
Theatre History I
TAR 340 (Fall 2024)
2023-24 Courses
-
Broadway and Beyond
TAR 103 (Summer I 2024) -
Popular Entertainment
TFTV 160D1 (Summer I 2024) -
Popular Entertainment
TFTV 160D1 (Spring 2024) -
Prin Dramatic Structure
TFTV 145 (Spring 2024) -
Theatre History II
TAR 341 (Spring 2024) -
Popular Entertainment
TFTV 160D1 (Fall 2023) -
Prin Dramatic Structure
TFTV 145 (Fall 2023) -
Theatre History I
TAR 340 (Fall 2023)
2022-23 Courses
-
Popular Entertainment
TFTV 160D1 (Summer I 2023) -
Popular Entertainment
TFTV 160D1 (Spring 2023) -
Prin Dramatic Structure
TFTV 145 (Spring 2023) -
Theatre History II
TAR 341 (Spring 2023) -
Acting for Everyone
TAR 100 (Fall 2022) -
Popular Entertainment
TFTV 160D1 (Fall 2022) -
Survey of Directing
TAR 400 (Fall 2022)
2021-22 Courses
-
Popular Entertainment
TFTV 160D1 (Summer I 2022) -
Popular Entertainment
TFTV 160D1 (Spring 2022) -
Survey of Directing
TAR 400 (Spring 2022) -
Workshop Performance
TAR 497W (Spring 2022) -
Collaborative Play Devel
TAR 462 (Fall 2021) -
Prin Dramatic Structure
TFTV 145 (Fall 2021) -
Workshop Performance
TAR 497W (Fall 2021) -
Workshop Performance
TAR 597W (Fall 2021)
2020-21 Courses
-
Popular Entertainment
TAR 160D1 (Summer I 2021) -
Acting for Everyone
TAR 100 (Spring 2021) -
Prin Dramatic Structure
TAR 145 (Spring 2021) -
Contemporary Trends
TAR 696A (Fall 2020) -
Prin Dramatic Structure
TAR 145 (Fall 2020)
2019-20 Courses
-
Popular Entertainment
TAR 160D1 (Summer I 2020) -
Prin Dramatic Structure
TAR 145 (Spring 2020) -
Theatre History II
TAR 341 (Spring 2020) -
Prin Dramatic Structure
TAR 145 (Fall 2019)
Scholarly Contributions
Creative Performances
- Mackay, R. (2025.
Director, Staged reading of KAYAK by Jordan Hill
. Scoundrel and Scamp Theatre. Tucson: Scoundrel and Scamp Theatre.More infohttps://www.scoundrelandscamp.org/kayak - Mackay, R. (2024. Dramaturg & Co-Director. ANTIGONE 3.0. Tucson, AZ and Los Angeles, CA: Borderlands Theater, Scoundrel and Scamp, Latino Theatre Company. https://www.latinotheaterco.org/antigonaMore infoBorderlands Theater Producing Artistic Director, Marc Pinate and Associate Artistic Director Milta Ortiz, invited me to dramaturg and co-direct Antigone 3.0 for a production at Tucson's Scoundrel and Scamp theatre, March 2024. We had a successful production with good reviews. The play went on to be accepted and presented at the Latino Theatre Company's ENCUENTRO 2024 in November: Welcome to Encuentro 2024: We Are Here – Presente!, a celebration of dynamic, contemporary Latiné theater at the heart of Los Angeles. This year marks the tenth anniversary of the Latino Theater Company's first National Encuentro in 2014, and the festival continues to grow in its mission of showcasing the rich diversity of Latiné voices in the performing arts. From October 24 to November 10, 19 theater companies and 165 artists from across the U.S. and Puerto Rico will transform The Los Angeles Theatre Center into a vibrant hub of public performances, cross-company collaborations, and thought-provoking discussions. Join us for three unforgettable weeks as we celebrate the resilience, creativity, and strength of our communities, reaffirming our commitment to fostering new voices and inspiring future generations of artists. Performances will take place on a rotating schedule, running simultaneously every Thursday through Sunday across six distinct spaces within The LATC complex. Don't miss this electrifying national theater festival—We Are Here – Presente! Borderline Theater Cordially Invites You to an In-Process Showing of Antigona 3.0 Made Possible by a Very SpecialGrant By Borderlands Theater Ensemble & Jesus I. VallesThe pressure is on when a small Latiné theatre ensemble receives the biggest grant of their careers to write an adaptation of Antigone set in the borderlands. A postcolonial dark comedy that takes an irreverent look at the American Theatre, the US-Mexico border, and the generational trauma that has plagued us all from the ancient Greeks to present day Chicanx artists. Written and performed by Jonathan Heras, Milta Ortiz, and Marc David Pinate. With guest playwright, Jesus I. Valles. Digital projections by Adam Cooper-Terán and live waila music by Gertie Lopez. Co-directed and dramaturgy by Roweena MackayBorderlands theater strives to build equitable, joyful, and meaningful collaborations with the local community through innovative theatre and responsive cultural programs ingrained in the heritage, narratives, and lived experiences of peoples rooted across the Sonoran Desert.Since 1985, Latino Theater Company has been a home for bold, contemporary stories exploring the U.S. Latina/o/x experience while amplifying diverse voices from Black, First Nation, Asian American, LGBTQ+, and other communities. For nearly four decades, Latino Theater Company has proudly reflected the vibrant mosaic of Los Angeles, honoring tradition while inspiring future generations.
