Charles W Scruggs

Interests

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Courses

Scholarly Contributions

Books

• Scruggs, C. W. (2018). The Sage in Harlem: H.L. Mencken and the Black Writers of the 1920s.. Baltimore: Johns Hopkins. doi:e-book
• Scruggs, C. W. (2017). e book: Jean Toomer and The Terrors of American History.. Philadelphia: University of Pennsylvania Press.
• Scruggs, C. W. (2016). Jean Toomer and the Terrors of American History. Philadelphia: University of Pennsylvania Press.

Chapters

• Scruggs, C. W. (2014). American Film Noir. In Cambridge Companion to the Modern Gothic(pp 123-137). Cambridge, England: Cambridge University Press.
• Scruggs, C. W. (2014). The Subversive Shade of Black in Film Noir. In Film Noir(pp 164-181). Edinburgh: Edinburgh University Press.
• Scruggs, C. W. (2014). “‘Forged in Injustice’”: The Gothic Motif in the Fiction of Ernest Hemingway and Richard Wright.. In Richard Wright in a Post-Racial Imaginary.(pp 129-139.). New York: Bloomsbury Publishing.
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  Eds. Alice Craven and William Dow

Journals/Publications

• Scruggs, C. W. (2018). "Cultural Melancholy et al". American Literature, 90(4), 870-872.
• Scruggs, C. W. (2017). A Drama of the Southwest: The Critical Edition of a Forgotten Play by Jean Toomer. Ed.Carolyn J. Dekker. (Albuquerque: University of New Mexico Press, 2016).. American Literary History, XI, 1-3.
• Scruggs, C. W. (2016). "REcovery From The Great War: Pastoral Space in J. L. Carr's A Month in the Country and Ernest Hemingway's Big Two-Hearted River. Papers in Language and Literature, 52(3), 212-229.
• Scruggs, C. W. (2016). The Unknown Van Vechten and His Impact on His Times. Resources For American Literary Study, 38(3), 267-274.

Presentations

• Scruggs, C. W. (2014, June). "Othello Was a Nigger": The Fugitive Slave Motif in Hemingway's A Farewell To Arms. Hemingway in Venice, 2014. Venice, Italy: Hemingway Society.