Stacie G Widdifield
- Professor, Art
- Member of the Graduate Faculty
- Professor, Applied Intercultural Arts Research - GIDP
- (520) 621-9705
- Art Building & Art Museum, Rm. 000288
- Tucson, AZ 85721
- staciew@arizona.edu
Biography
Widdifield teaches Modern and Colonial Mexican Art. She is currently working with Dr. Jeffrey Banister (School of Geography and Development, and the Southwest Center, UA) on the visual culture of water in Mexico City. She is also researching the relationship between art and medicine in 19th century Mexico. Her previous research projects have focused on: history, gender, nationalism, and institutions in 19th and early 20th century Mexico. Her publications include:The Embodiment of the National in Late Nineteenth-Century Mexican Painting, (University of Arizona Press, 1996) as well as articles on 19th century Mexican art. She also edited La Amplitud del Modernismo y la Modernidad (Conaculta; Curare, 2003); and recently published "Art and Modernity in Porfirian Mexico: Julia Escalante's Graziella and the Lechero.
Degrees
- M.S. Educational Technology
- University of Arizona/South, Sierra Vista, Arizona, US
- Ph.D. Art History
- University of California, Los Angeles
- M.A. Art History
- University of California, Los Angeles
- B.A. Art History
- University of California, Los Angeles
Work Experience
- University of Arizona (2003 - Ongoing)
- University of Arizona (1996 - Ongoing)
- University of Arizona (1989 - Ongoing)
- University of Arizona (1987 - Ongoing)
- Grunwald Center for the Graphic Arts, UCLA (1986 - Ongoing)
- UCLA Extension Program (1985 - Ongoing)
- California State University, Long Beach (1984 - Ongoing)
- California State University, Fullerton (1984 - Ongoing)
- Los Angeles Unified School District, Continuation School (1983 - Ongoing)
- Department of Art, Design, and Art History, UCLA (1981 - Ongoing)
- Department of Art, Design and Art History, UCLA (1978 - Ongoing)
- University Research Library, UCLA (1977 - Ongoing)
Awards
- Recognition of Past Presidents (not official title)
- Spring 2005
- Nominated for the Lester and Katherin Sherrill Award
- Fall 2002
Interests
No activities entered.
Courses
2024-25 Courses
-
Surv West Art:Renais-Mod
ARH 202 (Spring 2025) -
The Art Of Mexico
ARH 523B (Spring 2025) -
The Art of Mexico
ARH 423B (Spring 2025) -
Thesis
ARH 910 (Fall 2024)
2023-24 Courses
-
Survey of Mexican Art
ARH 323 (Summer I 2024) -
Survey of Mexican Art
LAS 323 (Summer I 2024) -
Surv West Art:Renais-Mod
ARH 202 (Spring 2024) -
The Art Of Mexico
ARH 523B (Spring 2024) -
The Art of Mexico
ARH 423B (Spring 2024) -
Art+Soc in Western Trad
ART 160D1 (Fall 2023) -
Internship
ARH 393 (Fall 2023) -
Survey of Mexican Art
ARH 323 (Fall 2023) -
Survey of Mexican Art
LAS 323 (Fall 2023) -
The Art Of Mexico
ARH 523A (Fall 2023) -
The Art of Mexico
ARH 423A (Fall 2023)
2022-23 Courses
-
Prehisp,Hisp+Chicano Art
ARH 322 (Summer I 2023) -
Prehisp,Hisp+Chicano Art
LAS 322 (Summer I 2023) -
Art+Soc in Western Trad
ART 160D1 (Spring 2023) -
Surv West Art:Renais-Mod
ARH 202 (Spring 2023) -
The Art Of Mexico
ARH 523B (Spring 2023) -
The Art of Mexico
ARH 423B (Spring 2023) -
Art+Soc in Western Trad
ART 160D1 (Winter 2022) -
Art+Soc in Western Trad
ART 160D1 (Fall 2022) -
Independent Study
ARH 499 (Fall 2022) -
Internship
ARH 393 (Fall 2022) -
Prehisp,Hisp+Chicano Art
ARH 322 (Fall 2022) -
Prehisp,Hisp+Chicano Art
LAS 322 (Fall 2022) -
The Art Of Mexico
ARH 523A (Fall 2022) -
The Art of Mexico
ARH 423A (Fall 2022)
2021-22 Courses
-
Art+Soc in Western Trad
ART 160D1 (Summer I 2022) -
Prehisp,Hisp+Chicano Art
ARH 322 (Summer I 2022) -
Prehisp,Hisp+Chicano Art
LAS 322 (Summer I 2022) -
Art+Soc in Western Trad
ART 160D1 (Spring 2022) -
Independent Study
ARH 499 (Spring 2022) -
Internship
ARH 493 (Spring 2022) -
Surv West Art:Renais-Mod
ARH 202 (Spring 2022) -
Art+Soc in Western Trad
ART 160D1 (Fall 2021) -
Prehisp,Hisp+Chicano Art
ARH 322 (Fall 2021) -
Prehisp,Hisp+Chicano Art
LAS 322 (Fall 2021) -
The Art Of Mexico
ARH 523A (Fall 2021) -
The Art of Mexico
ARH 423A (Fall 2021)
2020-21 Courses
-
Prehisp,Hisp+Chicano Art
ARH 322 (Summer I 2021) -
Prehisp,Hisp+Chicano Art
LAS 322 (Summer I 2021) -
Honors Independent Study
ARH 499H (Spring 2021) -
Surv West Art:Renais-Mod
ARH 202 (Spring 2021) -
The Art of Mexico
ARH 423B (Spring 2021) -
Art+Soc in Western Trad
ART 160D1 (Fall 2020) -
Dissertation
ARH 920 (Fall 2020) -
Honors Independent Study
ARH 399H (Fall 2020) -
Prehisp,Hisp+Chicano Art
ARH 322 (Fall 2020) -
Prehisp,Hisp+Chicano Art
LAS 322 (Fall 2020) -
The Art Of Mexico
ARH 523A (Fall 2020) -
The Art of Mexico
ARH 423A (Fall 2020) -
Thesis
ARH 910 (Fall 2020)
2019-20 Courses
-
Art+Soc in Western Trad
ART 160D1 (Summer I 2020) -
Prehisp,Hisp+Chicano Art
ARH 322 (Summer I 2020) -
Prehisp,Hisp+Chicano Art
LAS 322 (Summer I 2020) -
Dissertation
ARH 920 (Spring 2020) -
Internship
ARH 493 (Spring 2020) -
Surv West Art:Renais-Mod
ARH 202 (Spring 2020) -
The Art Of Mexico
ARH 523B (Spring 2020) -
The Art of Mexico
ARH 423B (Spring 2020) -
Thesis
ARH 910 (Spring 2020) -
Art+Soc in Western Trad
ART 160D1 (Fall 2019) -
Dissertation
ARH 920 (Fall 2019) -
Internship
ARH 393 (Fall 2019) -
Issues In Mexican Art
ARH 596M (Fall 2019) -
Prehisp,Hisp+Chicano Art
ARH 322 (Fall 2019) -
Prehisp,Hisp+Chicano Art
LAS 322 (Fall 2019)
2018-19 Courses
-
Art+Soc in Western Trad
ART 160D1 (Summer I 2019) -
Internship
ARH 693 (Summer I 2019) -
Prehisp,Hisp+Chicano Art
ARH 322 (Summer I 2019) -
Prehisp,Hisp+Chicano Art
LAS 322 (Summer I 2019) -
Dissertation
ARH 920 (Spring 2019) -
Honors Thesis
ARH 498H (Spring 2019) -
Internship
ARH 693 (Spring 2019) -
Surv West Art:Renais-Mod
ARH 202 (Spring 2019) -
The Art Of Mexico
ARH 523B (Spring 2019) -
The Art of Mexico
ARH 423B (Spring 2019) -
Art+Soc in Western Trad
ART 160D1 (Fall 2018) -
Dissertation
ARH 920 (Fall 2018) -
Honors Thesis
ARH 498H (Fall 2018) -
Internship
ARH 393 (Fall 2018) -
Prehisp,Hisp+Chicano Art
ARH 322 (Fall 2018) -
Prehisp,Hisp+Chicano Art
LAS 322 (Fall 2018) -
The Art Of Mexico
ARH 523A (Fall 2018) -
The Art of Mexico
ARH 423A (Fall 2018)
2017-18 Courses
-
Art+Soc in Western Trad
ART 160D1 (Summer I 2018) -
Prehisp,Hisp+Chicano Art
ARH 322 (Summer I 2018) -
Prehisp,Hisp+Chicano Art
LAS 322 (Summer I 2018) -
Art+Soc in Western Trad
ART 160D1 (Spring 2018) -
Dissertation
ARH 920 (Spring 2018) -
Independent Study
ARH 699 (Spring 2018) -
Issues In Mexican Art
ARH 596M (Spring 2018) -
Art+Soc in Western Trad
ART 160D1 (Winter 2017) -
Dissertation
ARH 920 (Fall 2017)
2016-17 Courses
-
Art+Soc in Western Trad
ART 160D1 (Summer I 2017) -
Prehisp,Hisp+Chicano Art
ARH 322 (Summer I 2017) -
Art+Soc in Western Trad
ART 160D1 (Spring 2017) -
Dissertation
ARH 920 (Spring 2017) -
The Art Of Mexico
ARH 523B (Spring 2017) -
The Art of Mexico
ARH 423B (Spring 2017) -
Art+Soc in Western Trad
ART 160D1 (Winter 2016) -
Dissertation
ARH 920 (Fall 2016) -
Independent Study
ARH 399 (Fall 2016) -
Prehisp,Hisp+Chicano Art
ARH 322 (Fall 2016) -
Prehisp,Hisp+Chicano Art
LAS 322 (Fall 2016) -
The Art Of Mexico
ARH 523A (Fall 2016) -
The Art of Mexico
ARH 423A (Fall 2016) -
Thesis
ARH 910 (Fall 2016)
2015-16 Courses
-
Art+Soc in Western Trad
ART 160D1 (Summer I 2016) -
Prehisp,Hisp+Chicano Art
ARH 322 (Summer I 2016) -
Prehisp,Hisp+Chicano Art
LAS 322 (Summer I 2016) -
Thesis
ARH 910 (Summer I 2016) -
Internship
ARH 393 (Spring 2016) -
Prehisp,Hisp+Chicano Art
ARH 322 (Spring 2016) -
Prehisp,Hisp+Chicano Art
LAS 322 (Spring 2016) -
The Art Of Mexico
ARH 523B (Spring 2016) -
The Art of Mexico
ARH 423B (Spring 2016) -
Thesis
ARH 910 (Spring 2016)
Scholarly Contributions
Books
- Widdifield, S. G. (2013). The Visual Cultures of Buen Gusto and Classicism in Latin America, 1780-1910. Albuquerque: University of New Mexico Press.More infoThis was co-edited with Paul Niell, Florida State University (I don't know how to get it to list co-author with value of 2).
- Widdifield, S. G. (2012). The Visual Cultures of Buen Gusto and Classicism in Latin America, 1780-1910. University of New Mexico Pres.More infovolume eds.: Widdifield and Paul Niell
- Widdifield, S. G. (2011). Buen Gusto and Classicism in Late 18th and 19th century Latin America. University of New Mexico Press.
Chapters
- Widdifield, S. G. (2013). Buen Gusto and Classicism in the Late 19th Century: An Appraisal in the Context of the 1881 Centennial of the Academy of San Carlos in Mexico City. In The Visual Cultures of Buen Gusto and Classicism in Latin America, 1780-1910(pp 255-272). Albuquerque: Un.
- Widdifield, S. G. (2007). "Assimilation and Body of the Nation: Mestizaje and Gender". In Critica Feminista en la Teoria del Historia del Arte(p. 0). Universidad Iberoamericana.More infoKaren Cordero Reiman and Inda Sáenz, eds.
- Widdifield, S. G. (2007). "Modernity and Tradition: Strategies of Representation in Mexico". In LocalGlobal: New Narratives of Women's Art in the Nineteenth-Century(pp 245-263). Ashgate Press.More infoDeborah Cherry and Janice Helland, eds.
- , ., & , . (2005). "Modernity and Tradition: Strategies of Representation in Mexico". In LocalGlobal: New Narratives of Women's Art in the Nineteenth-Century. Ashgate Press.More infoDeborah Cherry and Janice Helland, eds.
- Widdifield, S. G. (2004). El impulso de Humboldt. In De la estructuracion colonial a la exigencia nacional (1780)1860) (vol. 1 of Hacia otra historia del arte en Mexico)(p. 0). Conaculta/Curare.
- Widdifield, S. G. (2004). El indio re-tratado. In De la estructuracion colonial a la exigencia nacional (1780-1860) (Vol. 1 of Hacia otra historia del arte en Mexico)(p. 0). Conaculta/Curare.
- Widdifield, S. G. (2004). Modernizando el pasado: la recuperación de arte y historia del arte, 1860-1920. In Modernizando el Pasado (vol. 2 of Hacia Otra Historia del Arte en Mexico)(p. 0). Curare, Conaculta, Mexico.
- Widdifield, S. G. (2003). "El impulso de Humboldt y a la mirada extranjera sobre México," (trans.: The Humboldt impulse and the outsider’s view of Mexico"). In De la estructuración colonial a la exigencia nacional (1780-1860)(p. 0). Conaculta, Curare.
- Widdifield, S. G. (2003). El indio re-tratrado. In De la estructuración colonial a la exigencia nacional (1780-1860)(p. 0). Conaculta/Curare.
- Widdifield, S. G. (2003). José María Velasco. In St. James Guide to Hispanic Artists.
- Widdifield, S. G. (2002). "El impulso de Humboldt y a la mirada extranjera sobre México," (trans.: The Humboldt impulse and the outsider’s view of Mexico"). In De la estructuración colonial a la exigencia nacional (1780-1860)(p. 0). Conaculta, Curare.
- Widdifield, S. G. (2002). El indio re-tratrado. In De la estructuración colonial a la exigencia nacional (1780-1860)(p. 0). Conaculta/Curare.
- Widdifield, S. G. (2002). José María Velasco. In St. James Guide to Hispanic Artists.
- Widdifield, S. G. (2001). "El impulso de Humboldt y a la mirada extranjera sobre México," (trans.: The Humboldt impulse and the outsider’s view of Mexico"). In De la estructuración colonial a la exigencia nacional (1780-1860)(p. 0). Conaculta, Curare.
- Widdifield, S. G. (2001). El indio re-tratrado. In De la estructuración colonial a la exigencia nacional (1780-1860)(p. 0). Conaculta/Curare.
Journals/Publications
- Banister, J. M., & Widdifield, S. G. (2015). Seeing Water in Early 20 th Century Mexico City: Henry Wellge’s “Perspective Plan of the City and Valley of Mexico, D.F. , 1906. Anales del Instituto de Investigaciones Estéticas--Universidad Nacional Autónoma de México, XXXVII(107), 9-37.
- Widdifield, S. G., & Banister, J. M. (2015). Seeing Water in Early Twentieth-Century M. Anales del Instituto de Investigaciones Estéticas, UNAM, 37(107), 9-37.
- Banister, J., Banister, J., Widdifield, S. G., & Widdifield, S. G. (2014). Seeing Water in Early 20 th Century Mexico City: Henry Wellge’s “Perspective Plan of the City and Valley of Mexico, D.F. , 1906. Anales del Instituto de Investigaciones Estéticas--Universidad Nacional Autónoma de México. doi:10.22201/iie.18703062e.2015.107.2551
- Widdifield, S. G., & Banister, J. M. (2014). "The Debut of 'Modern Water' in early 20th Century Mexico City: The Xochimilco Potable Waterworks". Journal of Historical Geography, 46, 36-52.
- Widdifield, S. G. (2009). "Art and Modernity in Porfirian Mexico: Julia Escalante's Graziella and the Lechero. Bulletin of Latin American Research (UK), 1-19.
- Widdifield, S. G. (2008). Under Lock and Key: The Making of Josefa Ortiz de Domínguez. Miradas Disidentes: Géneros y Sexos en la historia del arte, 123-141.
- Widdifield, S. G. (2005). Manuel Tolsa's Equestrian Portrait of Charles IV: Art History, Patrimony, and the City. Journal X, 0.
- Widdifield, S. G. (2004). Manuel Tolsa's Equestrian Portrait of Charles IV: Art History, Patrimony, and the City. Journal X, 0.
- Widdifield, S. G. (2003). "The Body of History in 19th Century Mexico". Cuaderno of the Milan Group for US History, 0.
- Widdifield, S. G. (2003). Review of "Andrea Giunta, Vanguardia, internacionalismo y política: arte argentino en los años sesenta". Nepantla, View from the South, 0.
Presentations
- Widdifield, S. G. (2023, November). “Laundresses and Potable Water in the Entorno of Nineteenth-Century Mexico City". Picturing Women at Work in the Nineteenth Century, Virtual Symposium,. virtual: Cleveland Museum of Art.
- Widdifield, S. G. (2021, February). Paper: ‘The "originally underwater mural"of Diego Rivera’ and the Monumentality of the Mexico City Water Crisis. Panel: The Consequences of Sustaining Special Landscapes: aesthetic interventions, patrimony, and environmental politics, CAA. NYC (virtual): CAA.More infoI was the panel chair and and a paper presenter.
- Widdifield, S. G. (2021, June). Framing a local resource as global: The art and engineering of potable water in Mexico City. Bi-National confernece, Colegio de San Luis Potosí, MX. Colegio de San Luis Potosí, MX (virtual): ColSan.
- Widdifield, S. G. (2019, February). ," An Interdisciplinary Study of Responses to Salt in the Mexicali Valley and Salinity in the Colorado River: from images to wetlands. Simposio Internacional. Patrimonio Cultural Compartido,. University of Arizona: University of Arizona and Colegio de San Luis Potosí, MX.
- Widdifield, S. G. (2019, June). “Inter/Disciplinary Methods (Art History and Cultural Geography) for the Study of Heritage Landscapes,”. Simposio Internacional. Patrimonio Cultural Compartido,. Colegio de San Luis Potosí, MX: University of Arizona and Colegio de San Luis Potosí, MX.
- Widdifield, S. G. (2019, March). "The Iconography of Mexico City’s Water Crisis: Women/Children/Potability/Plenitude,". Alaa (Association for Latin American Art) Triennial Symposium. Chicago: Alaa/CAA.More infoI had to cancel participation 2 days before the conference due to a family emergency. I was not able to Skype in at the last minute. The paper was fully written and ready. (I presented it at a Brown Bag for Art History later in March).
- Widdifield, S. G. (2019, October). ” Reimagining Mexico City’s Water System as a Vibrant Assemblage,”. Charlas Series (research presentations). UA: Latin American Studies.
- Widdifield, S. G. (2016, Feb). Commentary: Pre-Columbia in the 19th Century Imagination. Pre-Columbia in the 19th Century Imagination,” John M. López, session chair, College Art Association Annual Meeting. Washington DC: College Art Association.More infoThis was a 20 minute presentation not only evaluating the presented papers but also integrating my own research. I do not consider this to have been merely a "professional service."
- Widdifield, S. G., & Banister, J. M. (2016, February). Envisioning Water in Mexico City: From Abstraction to Extraction. School of Geography and Development, Colloquium, UA. University of Arizona: School of Geography and Development, SBS.More infoThis colloquium is very prestigious and it is a great honor to have been invited to present out work.
- Widdifield, S. G., & Banister, J. M. (2016, March). Envisioning Water in Mexico City: From Abstraction to Extraction. School of Geography and Development, Colloquium, UN-R. Reno NV: University of Nevada, Reno,.More infoThis is the same paper we gave at the SBS, School of Geography and Development colloquium in February 2016, different state and school.
- Widdifield, S. G., & Banister, J. M. (2016, May). “Washerwomen, World Heritage, and Water: Spaces of Modernity and Tradition in Xochimilco and Mexico City,”. Spatial Practices and their Visual Representation in Colonial and Modern Mexico, Latin American Studies Association Annual Meeting, New York, May 2016.. NYC: Latin American Studies Association.
- Widdifield, S. G., & Banister, J. M. (2014, March). “The Visual Culture of Water in Early Twentieth-Century Mexico City: Clean Water in/Dirty Water Out”. Oceans and Deserts 2014: Charting Transdisciplinary Currents in Environment and Culture within the Arts and Sciences,. University of Arizona.More infonational conference, invited presentation
- Widdifield, S. G. (2012, Fall). The Picture of Water: Natural Resources in 19th c Mexican Painting. New England Council on Latin American Studies. Yale University.More infoPanel Speaker
- Widdifield, S. G. (2010, Fall). Buen Gusto at the End of the 19th Century: The 1881 Academy Centennial. The Politics of Taste in 18th and 19th Century Latin America. Meaadows Museum, Dallas, Texas.
- Widdifield, S. G. (2010, Fall). Sculpture, Medicine and the State in 19th Century Mexico. Visiting Artists and Scholars lecture series. University of North Texas, Denton.More infoIndividual Presenter
- Widdifield, S. G. (2009, Fall). Merolico into Medico, The Image of the Medical Professional in 19th century Mexico. Text, Nation, Image in 19th century Latin America. University of Essex, UK.More infoPanel Speaker
- Widdifield, S. G. (2009, Spring). Moctezuma in the 19th century: reputation and representation. Symposium on Moctezuma II. Institute of Archaeology, University of London.More infoPanel Speaker
- Widdifield, S. G. (2009, Spring). Neo-Classicism in Latin American Art. Association for Latin American Art Session. College Art Association Meetings, Los Angeles.
- Widdifield, S. G. (2009, Spring). Private Collections and Public Display: European Paintings
 in 19th-Century Mexico. Journey to Mexico: An Interdisciplinary Exploration of Travel to Mexico as Reflected in Art and Architecture of the 16th-21st Centuries. University of North Carolina, Charlotte.More infoPanel Speaker
- Widdifield, S. G. (2008, Fall). The Picture of Health in 19th Century Mexico. Southeastern College Art Conference. New Orleans, LA.More infoPanel Speaker
- Widdifield, S. G. (2007, Fall). Between Art and Medicine in Porfirian Mexico: the Statue of Dr. Rafael Lucio on the Paseo de la Reforma. Triennial Meeting of the Association for Latin American Art (Inaugural meeting). Institute of Fine Arts, NYU.More infoKeynote Speaker
- Widdifield, S. G. (2005, January 2005). Painting and Modernity in Mexico City During the 1880s. Colloquium on Spanish and Latin American Visual Culture. Institute of Fine Arts, New York University.
- Widdifield, S. G. (2005, January 2005). Painting and Modernity in Mexico City During the 1880s. Department of Art/Latin American Studies. University of Connecticut.
- Widdifield, S. G. (2005, May 2005). The Face of the Nation in Nineteenth-Century Mexican Portraiture. Invited lecture. San Diego Museum of Art.
- Widdifield, S. G. (2005, Oct 2005). "Under Lock and Key: The Making of Josefa Ortiz de Domínguez in 19th century Mexico". XXIX Coloquío Internacional de Historia del Arte (UNAM, IIE). Puebla, Puebla, Mexico.
- Widdifield, S. G. (2005, Oct 2005). "What Fits Where? Cosmopolitanism and Categories in late 19th Century Mexican Painting". International Vernacular Studies Conference- invited. Puebla, Puebla, Mexico.
- Widdifield, S. G. (2003, July 2003). "History Painting, exhibitions and criticism in 19th Century Mexico. Oaxaca Summer Institute on Modern Mexican History. Oaxaca, Mexico.
- Widdifield, S. G. (2003, March, 2003). "Reversals of Fortune: Julia Escalante's Milkcarrier and Graziella". Symposium on Popular culture in Modern Mexico. Tulane University.
- Widdifield, S. G. (2003, November 2003). "Painting, Modernity and Gender in Late 19th Century Mexico". Center for Latin American Studies, Mexico Workshop. University of Chicago.
- Widdifield, S. G. (2003, October 2003). "Daily Life, Material Culture and Gender in 19th Century Mexican Art:". Conference on Vernacular Culture. University of the Americas, Puebla, Mexico.
- Widdifield, S. G. (2002, Spring). Pulque and Indias: Colonial and Modern. , College Art Association Annual Conference, Philadelphia, Pennsylvania.
- Widdifield, S. G. (2002, Summer). Lithography of the National: replicating Mexico in the Nineteenth Century. Oaxaca Summer Institute on Modern Mexican History, Oaxaca, Mexico.
- Widdifield, S. G. (2002, Summer). Modern Mexican Women Artists. NEH Summer Institute on Hispanic Gendering of the Americas: Beyond Cultural and Geographical Boundaries, Arizona State University.
Reviews
- Widdifield, S. G. (2023. Miruna Achim, Susan Deans-Smith, and Sandra Rozental, Museum Matters Making and Unmaking Mexico's National Collections for CAA.Reviews (1500 words), November 2, 2023.,CrossRef DOI: 10.3202/caa.reviews.2023.67(pp 1500 words).
- Widdifield, S. G. (2008. Visions of the Emerald City: Tradition, Modernity and the Formation of Porfirian Oaxaca(pp Vol. 50 (4): 1056-1057). Comparative Studies in Society and History.
- Widdifield, S. G. (2003. Nepantla.
Others
- Widdifield, S. G., & Banister, J. M. (2016, June). A History and Visual Culture of the Xochimilco Potable Water System in 20th-Century Mexico City. Oxford Research Encyclopedia of Latin American History. http://latinamericanhistory.oxfordre.com/view/10.1093/acrefore/9780199366439.001.0001/acrefore-9780199366439-e-305?rskey=y2sdpe&result=1More infoScholarly essay in international research encyclopedia; peer reviewed. Available online and in print. 11,00 words.
Creative Works
- Buen Gusto and Classicism in the Late Nineteenth Century: An Appraisal in the Context of the 1881 Centennial of the Academy of San Carlos in Mexico City; University of New Mexico Press; November 2013; The Visual Cultures of Buen Gusto and Classicism in Latin America, 1780-1910; 1. Ico-edited the volume of essays; 2. I contributed a research article to the volume.
- 1. Deborah Arango; 2. Raquel Forner; Oxford University Press; December 2007; Oxford Encyclopedia of Women; These are two short articles in this 4 volume encyclopedia; publication date - December 2007. I don't have volume and page numbers yet; I emailed the editor for the info as the book has not arrived in our library yet.