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Trent D Williams

  • Associate Professor, Dance
  • Member of the Graduate Faculty
Contact
  • (520) 621-4698
  • Ina A. Gittings Building, Rm. 121
  • Tucson, AZ 85721
  • trentw1@arizona.edu
  • Bio
  • Interests
  • Courses
  • Scholarly Contributions
  • More
    • Creative Works

Biography

Trent D. Williams, Jr. is an Associate Professor of Dance in the School of Dance. Mr. Williams has also served as a faculty member at the University of Florida, University of Maryland Baltimore County (UMBC), University of Trinidad & Tobago, Howard Community College, Howard University Division of Fine Arts and Johns Hopkins Estelle Dennis/ Peabody Dance Training Program for Boys. Additionally, he is a consultant for the Florida Department of State, Division of Cultural Affairs, National Endowment for the Arts, Mid Atlantic Arts Council, and MAP Fund. Recently awarded the University of Florida 2020 Superior Accomplishment, 2019-2022 UF Provost’s Term Professorship, 2018 UF Excellence Award for Assistant Professors, and 2018 International Educator. In addition, Williams was selected as one of “40 under 40” by The Gainesville Sun.

Mr. Williams was a founding member of Urban Souls Dance Company in Houston, Texas and he has been a guest artist with Tallahassee Ballet in Tallahassee, FL, EDGEWORKS Dance Theatre in Washington, DC. Additionally, Mr. Williams has performed alongside Destiny’s Child, 112, and Janelle Monae among others. In 2007, Mr. Williams was invited to dance with Dayton Contemporary Dance Company (DCDC) in world-renowned works by Talley Beatty, The Stack Up (1992) and Eleo Pomare, Las Desenamoradas (1987), Donald Byrd, Rodney A. Brown, William B. McClellan, Jr., Debbie Blunden-Diggs, Shonna Hickman-Matlock and Bill T. Jones.

His creative research focused on the African diaspora, inclusive of Latinx traditions, Caribbean traditions and African- American traditions. Inspired by literature, history, cinema, and current events, he seeks material that reveals the universality of the human condition, including social inequalities and how they impact our changing world. His current dance film, Black Stains, in collaboration with filmmaker, Tiffany Rhynard, will help people to better understand the complex issues that intersect in the lives of black men in America. This dance film has been recognized nationally at the Sans Souci Festival of Dance Cinema in Boulder, Colorado and internationally at the London International Screendance Festival, just to name a few. His choreography has been performed by The Tallahassee Ballet, Dayton Contemporary Second Company, Texas Tech University, Towson University, University of Trinidad & Tobago, Coker College Dance Company, Urban Souls Dance Company, and has been showcased at The American Dance Festival, The American College Dance Festival, The Modern Atlanta Dance Festival, The Dance Gallery in Huntsville, Texas, and Kennedy Center: Millennium Stage.

Williams is a native Houstonian received his MFA in Dance Performance & Choreography from Florida State University and BA in Psychology from Morehouse College.

Degrees

  • M.F.A. Dance Performance & Choreography
    • The Florida State University, Tallahassee, Florida, United States
    • Of Man...Being a Black Man in America

Work Experience

  • University of Arizona, Tucson, Arizona (2023 - Ongoing)

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Interests

Research

As a performer, choreographer, and educator, I continue to be nurtured by my past experiences. Working in an array of communities, including youth, senior, and varying levels of dance expertise, I am continually informed by cultural perspectives. My work as a former member of nationally and internationally acclaimed dance companies, coupled with my continued research, has resulted in my creative process that connects choreography with performing. Drawing from a diverse range of dance genres, including Classical Ballet, Modern, Jazz, African, Hip-Hop, Caribbean, and experimental dance theatre forms, I synthesize my role as an educator, with a commitment to a rigorous artistic practice.

Teaching

• All levels of Modern (Basic, Intermediate, Advanced) • Hip-Hop• All levels of Jazz (Basic, Intermediate, Advanced)• Basic / Advanced Choreography • Dance Ensemble • BalletMy movement vocabulary has been shaped by years of professional creative work. My creative research draws on my personal experiences to create contemporary dance works that address social and political injustices in the United States and beyond. My particular interest is focused on the African diaspora, inclusive of Latinx traditions, Caribbean traditions and African-American traditions. Inspired by literature, history, cinema, and current events, I seek material that reveals the universality of the human condition, including social inequalities and how they impact our changing world.

Courses

2025-26 Courses

  • Advanced Choreography
    DNC 445A (Fall 2025)
  • History Of Dance
    DNC 200 (Fall 2025)
  • Modern Dnc Technique II
    DNC 341A (Fall 2025)
  • Smnr In Grad Technique
    DNC 696B (Fall 2025)

2024-25 Courses

  • Basic Choreography
    DNC 245B (Spring 2025)
  • Black Dance in the US
    DNC 174 (Spring 2025)
  • Modern Dance Technique I
    DNC 241B (Spring 2025)
  • Advanced Choreography
    DNC 445A (Fall 2024)
  • Dance Ensemble
    DNC 343 (Fall 2024)
  • Dance Ensemble
    DNC 543 (Fall 2024)
  • History Of Dance
    DNC 200 (Fall 2024)
  • Jazz Dance Technique II
    DNC 344A (Fall 2024)
  • Modern Dnc Technique II
    DNC 341A (Fall 2024)
  • Preceptorship
    DNC 591 (Fall 2024)

2023-24 Courses

  • Basic Choreography
    DNC 245B (Spring 2024)
  • Dance And Culture
    DNC 400 (Spring 2024)
  • Dance Ensemble
    DNC 343 (Spring 2024)
  • Modern Dance Tech III
    DNC 441B (Spring 2024)
  • Modern Dance Tech III
    DNC 541B (Spring 2024)
  • Advanced Choreography
    DNC 445A (Fall 2023)
  • Advanced Choreography
    DNC 545A (Fall 2023)
  • Dance Ensemble
    DNC 343 (Fall 2023)
  • History Of Dance
    DNC 200 (Fall 2023)
  • Modern Dnc Technique II
    DNC 341A (Fall 2023)
  • Preceptorship
    DNC 291 (Fall 2023)
  • Smnr In Grad Technique
    DNC 696B (Fall 2023)

Related Links

UA Course Catalog

Scholarly Contributions

No activities entered.

Creative Works

  • Black Stains; Dance Film; Black Stains is a dance film that I choreographed and performed in; it is deeply rooted in my personal experiences. Early in my career as an artist and educator, I began to notice that I seldom saw dance works in academic settings that addressed the realities of being a black man in today’s society. Spurred on by my recognition of this absence, I interviewed a broad spectrum of African- American males whose experiences revealed the impact that racial proscriptions have had on their lives. It is my hope that a work like Black Stains will help people to better understand the complex issues that intersect in the lives of black men in America. The film has been recognized nationally at the Sans Souci Festival of Dance Cinema in Boulder, Colorado and internationally at the London International Screendance Festival.
  • no place; Dance Performance -; The Contemporary Choreographers’ Collective (COCO) is a group of independent artists who offer performance support for choreographers working in unconventional ways in Trinidad and Tobago. In the last 14 years, the COCO Dance Festival has established itself as a premiere platform for the presentation of cutting-edge works in dance and multi-disciplinary art forms, both locally and internationally.As part of our 15th year, I was invite to attend the festival, present original work in our concert and facilitate a workshop/master class as part of the festival week.
  • Distract Me From the Mirror; Dance Performance - Original Choreography; The Hobby Center for the Performing Arts is proud to present Urban Souls Dance Company in Souls of Black Houston, a dance concert dedicated to honoring Black History Month. This particular performance marks the company’s 20th anniversary season and pays tribute to two decades of sharing the powerful stories of the African-American experience. The show’s highlight is the incredible production, Colored Carnegie (originally a commissioned by Performing Arts Houston in 2021), created and directed by Urban Souls Founder and Artistic Director Harrison Guy, featuring an original score by Dr. John Cornelius and a stunning set design by Edgar Guajardo. Inspired by the history of the segregated Houston Colored Carnegie Library, this piece is a poignant reminder of the resilience and strength of the Black community.I was invite to peform in the  performance at annul Black History Dance Concert in Houston, TX. The Hobby Center presents Urban Souls Dance Company in the Souls of Black Houston. The performance celebrates the incredible legacy and history of Black Houstonians.Performance date: Saturday February 10, 7:30pm at the Hobby Center for the Performing Arts 
  • home; Original Choreography; ‘home’ was inspired by a quote from James Baldwin "You don't have a home until you leave it and then, when you have left it, you never can go back." Our work explores the profound concept of living and leaving our home through the language of movement. Dancers embody the emotional journey—the uncertainty, vulnerability , and tension between the yearning for the security of home and the exhilaration of embarking on an uncharted adventure. The piece invites the audiences to reflect on the experience of finding one’s own place in the world. 

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