Yuri E Makino
- Interim Associate Dean, Fine Arts
- Associate Professor, School of Theatre/Film and Television
- Associate Director, School of Theatre/Film and Television
- Member of the Graduate Faculty
- (520) 621-8974
- MUSIC, Rm. 111
- TUCSON, AZ 85721-0004
- ymakino@arizona.edu
Biography
In 1998, Yuri Makino joined the School of Media Arts, now the School of Theater, Film and Television, where she teaches film production and screenwriting. She is the Associate Director of the Film & TV program.
Ms. Makino received her B.A. with Highest Honors in Film Studies and in German Studies at the University of California at Santa Barbara in 1990. In 1996, she completed the M.F.A. Film Graduate Program at New York University.
Ms. Makino is the recipient of a 2011 Innovation and Collaboration Faculty Grant for $25k awarded by the UA Confluence Center. With the funding, Ms. Makino will produce a documentary with UA collaborators Dr. Dieter and Netzin Steklis on their research with wild gorillas. Gorilla Games: Play Is Paternal Care explores the beneficial role of play in wild gorillas, specifically its role in paternal care, and uncovers shared behaviors between gorillas and humans.
http://www.confluencecenter.arizona.edu/project-archive
Ms. Makino was awarded a 2009 Emerging Artist Grant from the Contemporary Forum at the Phoenix Museum. The grant will help fund Animal Encounters, a study of animal and human relationships. The project features wild and captive dolphins filmed in the Bahamas and the Florida Keys, respectively.
To produce, 111 Degrees Longitude, Ms. Makino received a Hanson Film Institute grant and an Artist Project Grant from the Arizona Commission on the Arts. This experimental documentary is a collaborative piece produced with filmmaker Cindy Stillwell in Bozeman, Montana. The video explores modern notions of home by two women living along the 111th meridian in the American west. 111 Degrees Longitude premiered at the Big Sky Film Festival in February 2009.
In 2007 Ms. Makino completed the short film, Alma, premiered at the Humboldt Film Festival where it won The Ledo Matteoli Award for Best Immigrant Story. It received 3 awards from the 2008 Baltimore Women's Film Festival for Best Short Film, Best Director and Best Local Filmmaker (for executive producer Vicky Westover). It was also awarded a Best Director Award at the Reel Sisters of the Diaspora Film Festival in New York, Best Narrative for the Faculty Juried Screenings competition at the 2007 University Film and Video Association conference, and a 2007 Accolade Award for Excellence in the Independent Short Film category. To date Alma has screened in 22 festivals.
Ms. Makino is in development with the feature-length version of Alma, a film about a nineteen-year-old Chicana who discovers she is not a U.S. citizen and is jailed in a maximum security prison. Alma, co-written by Ms. Makino, was awarded semi-finalist status at the 1999 Sundance Institute Feature Film Lab and awarded the 2000 Roy W. Dean Grant. She also received over $20,000 in grants from the Amazon Foundation and the University of Arizona for the development of Alma.
Tokyo Equinox, Ms. Makino's poetic documentary about visiting her estranged Japanese father, premiered at the San Francisco Asian American International Film Festival in March 2004 and has had over two dozen screenings. Tokyo Equinox was was the winner of the 2006 Tucson Community Film Contest.
Llama Walks, her personal documentary about her family won the Best of Arizona Award at the 2003 Arizona International Film Festival and an Honorable Mention at the 2003 The University Film and Video Association Juried Screenings.
In 1999 Ms. Makino was awarded the Arizona Commission on the Arts Visual Fellowship for Umeboshi (Pickled Plums), a film about a Japanese American girl facing the complexities of cultural identity and familial ties. Umeboshi has screened at festivals around the country and on public television.
Ms. Makino has worked in the independent film community and commercial industry in San Francisco, Los Angeles and New York.
Degrees
- M.F.A. Directing
- New York University, Tisch School of the Arts Film
- Umeboshi (Pickled Plums)
- B.A. Film Studies & German Studies
- University of California at Santa Barbara
Work Experience
- University of Arizona, School of Media Arts (2004 - Ongoing)
- University of Arizona, Department of Media Arts (1998 - Ongoing)
- Humboldt State University, Department of Theatre and Film (1997 - Ongoing)
- New York University, Tisch School of the Arts (1994 - Ongoing)
- New York University, Tisch School of the Arts (1993 - Ongoing)
Awards
- Udall Center Faculty Fellowship
- Udall Center, Fall 2024
- Udall Center, Fall 2023
- Faculty-Student Interaction Grant
- Fall 2010
- CFA Small Grant
- Summer 2010
- Student Faculty Interaction Grant
- Fall 2009
- Fall 2008
- Fall 2002
- Emerging Artist Award from the Contemporary Forum at the Phoenix Museum
- Spring 2009
- Alma - Best Director of a Short Film
- Fall 2008
- Alma - Best Film by a Local Filmmaker
- Fall 2008
- Alma - Best Short Film
- Fall 2008
- Award of Excellence in the Independent Short film category
- Fall 2007
- Best Director Award
- Fall 2007
- Best Narrative Film
- Fall 2007
- Beyond the Call of Duty
- Fall 2007
- Spring 2007
- Student-Faculty Interaction Grant
- Spring 2007
- Spring 2005
- Spring 2004
- Fall 2003
- The Ledo Matteoli Award for Best Immigrant Story
- Spring 2007
- Tucson Community Film Contest winner
- Spring 2006
- Academy of Motion Pictures Arts and Sciences
- Spring 2005
- Spring 2004
- Beyond the Call of Duty Award
- Spring 2005
- Spring 2003
- Foreign Travel Grant
- Spring 2005
- Honorable Mention, University Film and Video Association
- Summer 2003
- Latino Producer's Lab
- Summer 2003
- Best of Arizona Award, Arizona International Film Festival
- Spring 2003
- Latino Writer's Lab
- Spring 2003
- University of Arizona Visiting Filmmakers Program
- Spring 2003
- The Majory and Louis Slavin Fund for Excellence
- Fall 2002
- Academy of Motion Picture Arts and Sciences Foundation Grant
- Spring 2002
- CFA Bank One Visiting Artist Professorship Award
- Spring 2002
- College of Fine Arts Dean's Scholar
- Spring 2001
Interests
No activities entered.
Courses
2024-25 Courses
-
Internship
FA 493 (Fall 2024)
2023-24 Courses
-
Honors Thesis
FTV 498H (Fall 2023) -
Writing Short Screenplay
FTV 364 (Fall 2023)
2022-23 Courses
-
Honors Thesis
FTV 498H (Summer I 2023) -
Fiction Production
FTV 315A (Spring 2023)
2021-22 Courses
-
Fiction Production
FTV 315A (Spring 2022) -
Preceptorship
FTV 491 (Spring 2022) -
Directing for the Screen
FTV 367 (Fall 2021) -
Practicum
FTV 394 (Fall 2021) -
Preceptorship
FTV 391 (Fall 2021)
2020-21 Courses
-
Practicum
FTV 394 (Spring 2021) -
Practicum
FTV 494 (Spring 2021) -
Preceptorship
FTV 391 (Spring 2021) -
Professional Practices
FTV 303 (Spring 2021) -
Writing Short Screenplay
FTV 364 (Spring 2021) -
Directing for the Screen
FTV 367 (Fall 2020) -
Practicum
FTV 394 (Fall 2020) -
Preceptorship
FTV 391 (Fall 2020)
2019-20 Courses
-
Directing for the Screen
FTV 367 (Fall 2019) -
Honors Thesis
FTV 498H (Fall 2019) -
Practicum
FTV 294 (Fall 2019) -
Practicum
FTV 494 (Fall 2019)
2018-19 Courses
-
Practicum
FTV 394 (Spring 2019) -
Preceptorship
FTV 491 (Spring 2019) -
Writing Short Screenplay
FTV 364 (Spring 2019) -
Directing for the Screen
FTV 367 (Fall 2018) -
Practicum
FTV 294 (Fall 2018) -
Practicum
FTV 394 (Fall 2018) -
Preceptorship
FTV 391 (Fall 2018)
2017-18 Courses
-
Practicum
FTV 394 (Spring 2018) -
Writing Short Screenplay
FTV 364 (Spring 2018) -
Directing for the Screen
FTV 367 (Fall 2017) -
Practicum
FTV 294 (Fall 2017) -
Practicum
FTV 394 (Fall 2017) -
Preceptorship
FTV 391 (Fall 2017)
2016-17 Courses
-
Film & Television Aesthetics
FTV 200 (Summer I 2017) -
Writing Short Screenplay
FTV 364 (Spring 2017) -
Directing for the Screen
FTV 367 (Fall 2016) -
Practicum
FTV 294 (Fall 2016)
2015-16 Courses
-
Film & Television Aesthetics
FTV 200 (Summer I 2016) -
Practicum
FTV 394 (Summer I 2016) -
Intro Productn Practices
FTV 210 (Spring 2016) -
Practicum
FTV 294 (Spring 2016) -
Practicum
FTV 394 (Spring 2016) -
Practicum
FTV 494 (Spring 2016) -
Preceptorship
FTV 491 (Spring 2016)
Scholarly Contributions
Chapters
- Makino, Y. E. (2017). Lone Star (encyclopedia excerpt). In Race in American Film: Voices and Visions that Shaped a Nation(pp pp. 554-556). Santa Barbara, CA: ABC-CLIO, LLC.
- Makino, Y. E. (2017). Smoke Signals (encyclopedia excerpt). In Race in American Film: Voices and Visions that Shaped a Nation(pp pp. 799-801). Santa Barbara, CA: ABC-CLIO, LLC.
- Makino, Y. E. (2009). Cinematic Reservations: An Interview with Chris Eyre. In Filming Difference(pp pp. 247-260). University Texas Press.
Presentations
- Makino, Y. E. (2015, Summer). Formal Response to narrative short "The Day I Grew Up". UFVA Conference Screening. Washington DC.More infoIndividual Presenter
- Makino, Y. E. (2014, January). Show & Tell @ The Playground. Presentation of Rough & Tumble documentary. The Playground: Confluence Center.
- Makino, Y. E. (2014, September). Smart Talks. The Life Examined: Films by Yuri Makino. UA Campus: Honors College.
- Makino, Y. E. (2008, Summer). Formal Response to "Walker". UFVA Conference Screening. Colorado Springs.More infoIndividual Presenter
- Makino, Y. E. (2007, August 8). Respondent to film "Open Window". University Film and Video Association conference. Denton, TX.
- Makino, Y. E. (2005, 3/17/05). “Recent Trends in U.S. Documentary: the Influence of Autobiography on Non-fiction Film”. invited by the English Department, University of Cyprus. University of Cyprus, Nicosia, Cyprus.
- Makino, Y. E. (2004, August 5). Respondent to documentary NEIGHBOR LADIES. University Film and Video Association conference. Toledo, Ohio.
- Makino, Y. E. (2003, January 14). "Distance Learning in the Media Arts". Hawaii International Conference on Arts and Humanities. Honolulu, HI.
- Makino, Y. E. (2003, July 26). Respondent for short film, RACE JUICE. University Film and Video Association Conference. Columbia, South Carolina.
- Makino, Y. E. (2002, August 10, 2002). Respondent for feature film, "Adrift in the Heartland". Formal Screening, University Film and Video Association. Ithaca College.
- Makino, Y. E. (2001, August 2001). The Shaping of ALMA: Struggles and Strategies of a Writer-Director. Situating Gender in Screenwriting, University Film and Video Association Conference. Rochester, New York.
Creative Works
- 111 Degrees Longitude; video; March
- Animal Encounters; digital video; March; Animal Encounters is astudy of animal and human relationships. The project features wildand captive dolphins filmed in the Bahamas and the Florida Keys,respectively.
- The Koko Project: In Pursuit of a Mind to Mind Connection; HD; March; I'm collaborating with other UA faculty on this documentary about non-human animal self-awareness. Project SummaryKoko, famous for being the first language-trained gorilla, will be the subject of a 30-minute film documenting pioneering research on the capacity of a non-human animal to perform what is thought to be a uniquely human ability: to be fully aware of one’s own emotions, intentions, beliefs and those of others. Koko’s training in the use of sign language, her rich vocabulary, and her comprehension of spoken words and sentences provide a unique opportunity for a team of University of Arizona scientists in primatology, psychiatry and neuroscience. The research team will harness novel experimental techniques to systematically test, for the first time in a language-trained ape, what is called “Theory of Mind”-- the ability to “attribute independent mental states to self and others in order to explain and predict behaviour.” Through video documentation of the research and interviews with the research team (Dr. Dieter and Netzin Steklis, Dr. Richard Lane, along with Dr. Penny Patterson, Koko’s mentor and caregiver of 37 years), filmmaker Yuri Makino will bring to light cutting edge research in animal cognition and the powerful implications of the findings of this experiment.
- The End of Winter; digital video; March; The End of Winter chronicles the final journey my sisters and I took to Japan to see our father before he passed away.
- Gorilla Games: Play Is Paternal Care; digital video; March; This documentary is funded by a Confluence Center grant. The original documentary (with Koko as its subject) had to be changed because Koko has arthritis. I am still working with my original collaborators and now focusing on their existing research with wild gorillas. Project Summary Gorilla Games: Play Is Paternal Care Human play is usually thought of as a childhood pastime, but in many species, like mountain gorillas, social play is essential to their development. The adult silverback males are of particular interest because they are one of the few species who play with and protect their young. Gorillas live in groups and the mature silverback -- so named for the graying hair on his back – leads, defends and makes decisions for the family. He also plays with the immature gorillas. Play between fathers and offspring may be a foundational mode of behavior in gorilla paternal care and can give us insight into the evolution of human families. This 20-minute documentary Gorilla Games: Play Is Paternal Care explores the beneficial role of play in wild gorillas, specifically its role in paternal care, and uncovers shared behaviors between gorillas and humans. In what ways may play help build skills, increase fitness, regulate emotions, and promote relationships and sexual reproduction amongst gorillas? Determining the essential qualities of play and their benefits in gorillas is of particular interest in light of the recent discovery that humans and gorillas differ in only 1.75% of their DNA, much less than previously believed (LA Times, March 7, 2012). Is play essential to the development of gorillas and humans alike? What are the implications of the role of play between one of our closest relatives and the evolution of humans? This documentary focuses on the research of UA faculty members Dr. Dieter and Netzin Steklis, experts on African apes, especially the mountain gorilla. The Steklis’ have 20 years of field observation experience studying the family dynamics of mountain gorillas in Rwanda. The film will include interviews with H. Dieter and Netzin Steklis and Dr. Bruce Ellis, head of the fathering initiative in Family Studies at the Norton School. Highlighting Dr. Ellis’ research on the impact of paternal care on adolescent development in humans will enable the audience to consider the potential shared effects of paternal care in human and gorilla families. To draw connections between the ways in which play impacts juvenile growth in gorillas and in humans, Gorilla Games will feature footage of wild gorillas in Africa at play, as well as humans at play. Audiences will learn about the ways in which play imparts critical skills or experiences that are not only life-enhancing, but life-extending as well. While play may seem trivial in our lives, it may define who we are and how we came to be.
- Pineapple Dreams; video; June; I was invited to participate in the Snakebite Film Festival, which was hosted by Dinnerware and exhibited at The Screening Room. I was given 3 criteria (dolphin, hair stylist and pineapple) by the Dinnerware ArtsSpace manager to make a 5 minute or less film in a few weeks.
- Alma; narrative short film; June; This 14-minute short is based on my feature script of the same name.
- AMERICA'S HEALTH; documentary; My collaborator and I were invited to present our work to UA medical residents in Family and Community Medicine as part of their Round Table Discussions to discuss how to use art to engage participants to think about health.