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Kyle DiRoberto

  • Associate Professor, English
  • Member of the Graduate Faculty
Contact
  • (520) 621-1836
  • MODERN LANGUAGE, Rm. 445
  • TUCSON, AZ 85721-0067
  • droberto@arizona.edu
  • Bio
  • Interests
  • Courses
  • Scholarly Contributions

Degrees

  • Ph.D. English
    • University of Arizona, Tucson, Arizona, United States
    • Grotesque Transformations and the Discourse of Conversion in Robert Greene’s Work and Shakespeare’s Falstaff.

Work Experience

  • English Department (2023 - Ongoing)
  • Univeristy of Arizona College of Social and Behavioral Sciences English Department (2021 - 2023)
  • University of Arizona College of Applied Science and Technology (2020 - 2023)
  • University of Arizona South (2013 - 2020)

Awards

  • Writing Across the Curriculum Fellowship
    • Summer 2021
  • Academic Leadership Institute Fellowship
    • University of Arizona, Spring 2019
  • ISPN Center for Middle Eastern Studies Fellow
    • Center for Middle Eastern Studies, Spring 2018
  • Fellowship with the Center for Middle Eastern Studies
    • University of Arizona, Fall 2017
  • Superior Faculty Award
    • UA South Foundation, Fall 2015

Related Links

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Interests

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Courses

2025-26 Courses

  • Auth,Period,Genres+Theme
    ENGL 496A (Fall 2025)
  • Honors Thesis
    ENGL 498H (Fall 2025)
  • Shakespeare
    ENGL 431A (Fall 2025)

2023-24 Courses

  • Auth,Period,Genres+Theme
    ENGL 496A (Spring 2024)
  • Honors Thesis
    ENGL 498H (Spring 2024)
  • Independent Study
    ENGL 599 (Spring 2024)
  • Shakespeare
    ENGL 431A (Spring 2024)
  • Honors Thesis
    ENGL 498H (Fall 2023)
  • Milton
    ENGL 444 (Fall 2023)
  • Shakespeare
    ENGL 431B (Fall 2023)
  • Studies-Renaissance
    ENGL 533 (Fall 2023)

2022-23 Courses

  • Honors Thesis
    ENGL 498H (Spring 2023)
  • Shakespeare
    ENGL 431A (Spring 2023)
  • Shakespeare
    ENGL 431B (Spring 2023)
  • Honors Thesis
    ENGL 498H (Fall 2022)
  • Shakespeare
    ENGL 431A (Fall 2022)
  • Shakespeare
    ENGL 431B (Fall 2022)

2021-22 Courses

  • Advanced Composition
    ENGV 306 (Spring 2022)
  • Shakespeare
    ENGL 431B (Spring 2022)
  • Advanced Composition
    ENGV 306 (Fall 2021)
  • Brit+Am Lit:Beowulf-1600
    ENGL 373A (Fall 2021)

2020-21 Courses

  • Advanced Composition
    ENGV 306 (Spring 2021)
  • Internship
    ENGV 493 (Spring 2021)
  • Studies-Renaissance
    ENGL 533 (Spring 2021)
  • Advanced Composition
    ENGV 306 (Fall 2020)
  • Brit+Am Lit:Beowulf-1600
    ENGV 373A (Fall 2020)
  • Independent Study
    ENGV 399 (Fall 2020)
  • Internship
    ENGV 393 (Fall 2020)

2019-20 Courses

  • Auth,Period,Genres+Theme
    ENGV 496A (Spring 2020)
  • Independent Study
    ENGV 399 (Spring 2020)
  • Shakespeare
    ENGV 431A (Spring 2020)
  • Advanced Composition
    ENGV 306 (Fall 2019)
  • Junior Proseminar
    ENGV 396A (Fall 2019)
  • Linguist & Study of Literature
    ENGV 462 (Fall 2019)

2018-19 Courses

  • Brit+Am Lit:Beowulf-1600
    ENGV 373A (Spring 2019)
  • Honors Thesis
    ENGV 498H (Spring 2019)
  • Independent Study
    ENGV 399 (Spring 2019)
  • Themes in Literature and Films
    ENGV 400 (Spring 2019)
  • Advanced Composition
    ENGV 306 (Fall 2018)
  • Honors Thesis
    ENGV 498H (Fall 2018)
  • Independent Study
    ENGV 399 (Fall 2018)
  • Shakespeare
    ENGV 431B (Fall 2018)

2017-18 Courses

  • Independent Study
    ENGV 399 (Summer I 2018)
  • Linguist & Study of Literature
    ENGV 462 (Spring 2018)
  • Shakespeare
    ENGV 431A (Spring 2018)
  • Stds In A Literary Genre
    ENGV 310 (Spring 2018)
  • Independent Study
    ENGV 399 (Fall 2017)
  • Literature and Film
    ENGV 300 (Fall 2017)
  • Technical Writing
    ENGV 308 (Fall 2017)

2016-17 Courses

  • Internship
    ENGV 393 (Summer I 2017)
  • Independent Study
    ENGV 399 (Spring 2017)
  • Internship
    ENGV 393 (Spring 2017)
  • Studies in Genres
    ENGL 310 (Spring 2017)
  • Themes in Literature and Films
    ENGV 400 (Spring 2017)
  • Independent Study
    ENGV 399 (Fall 2016)
  • Independent Study
    ENGV 499 (Fall 2016)
  • Linguist & Study of Literature
    ENGV 462 (Fall 2016)
  • Shakespeare
    ENGV 431B (Fall 2016)
  • Technical Writing
    ENGV 308 (Fall 2016)

2015-16 Courses

  • Independent Study
    ENGV 399 (Summer I 2016)
  • Auth,Period,Genres+Theme
    ENGV 496A (Spring 2016)
  • Independent Study
    ENGV 499 (Spring 2016)
  • Internship
    ENGV 493 (Spring 2016)
  • Technical Writing
    ENGV 308 (Spring 2016)

Related Links

UA Course Catalog

Scholarly Contributions

Books

  • Diroberto, K. L., Hopkins, L., Heijes, C., & Seymour, J. (2019). Shakespeare between the Crossroads of East and West. Venice, Italy: Bazmavēp.

Chapters

  • Diroberto, K. L. (2021). Representations of the Plowman and the Prostitute in Puritan and Anti‐Puritan Satire: Or the Rhetoric of Plainness and the Reformation of the Popular in the Harvey Nashe Quarrel ". In Marginal Figures of the Global Middle Ages and Renaissance(p. 39). Brepolis.
    More info
    http://www.brepols.net/Pages/ShowProduct.aspx?prod_id=IS-9782503597034-1
  • Diroberto, K. L., & Brown, M. L. (2021). Diversifying Shakespeare: Intersections of Technology, Identity, and Teaching Communities. In Shakespeare and Digital Pedagogy(p. 272). London: Bloomsbury Publishing Plc The Arden Shakespeare.
    More info
    How can digital resources and tools be used to improve student engagement and learning in their study of Shakespeare? What solutions can digital approaches offer to some of the key challenges for higher education today -- including improving digital literacy, issues of diversity, equity and inclusion, and teaching in hybrid, distance and online learning environments? What are the limitations and obstacles faced by instructors in the use of new technologies in the classroom?These are just some of the questions addressed by Shakespeare and Digital Pedagogy -- an international collection of fresh digital approaches for teaching Shakespeare to undergraduates. It describes 16 methodologies, resources and tools recently developed, updated and used by a diverse range of contributors in Great Britain, Asia and the United States. Contributors explore how these digital resources meet classroom needs and help facilitate conversations about academic literacy, race and identity, local and global cultures, performance, and interdisciplinary thought. Chapters describe each case study in depth, recounting needs, collaborations and challenges during design, as well as sharing effective classroom uses and offering accessible, usable content for both teachers and learners.The book will appeal to a broad range of readers. College and high school instructors will find a rich trove of usable teaching content and suggestions for mounting digital units in the classroom, while Digital Humanities and education specialists will find a snapshot of and theories about the field itself. With access to exciting new content from local archives and global networks and global networks, the collection aids teaching, research, and reflection on Shakespeare for the 21st century.https://books.google.com/books?id=bsZKEAAAQBAJ&pg=PT66&lpg=PT66&dq=digital+pedagogies+shakespeare+kyle+diroberto&source=bl&ots=irzcnMkEdy&sig=ACfU3U10ozc4qw0fyxuF59-RoFkLfwJq_A&hl=en&sa=X&ved=2ahUKEwjXvYyv68r0AhWuLTQIHQFCAC8Q6AF6BAgOEAI#v=onepage&q=digital%20pedagogies%20shakespeare%20kyle%20diroberto&f=false
  • Diroberto, K. L. (2019). "As You Like It: Teaching Shakespeare in Digital Environments and the Co[[de]]modification of Community. In Shakespeare between the Crossroads of East and West.
  • Diroberto, K. L. (2012). Representations of the Plowman and the Prostitute in Puritan and Anti‐Puritan Satire: Or the Rhetoric of Plainness and the Reformation of the Popular in the Harvey Nashe Quarrel Rural Space in the Middle Ages and Early Modern Times: The Spatial Turn in Premodern Studies. In Rural Space in the Middle Ages and Early Modern Times: The Spatial Turn in Premodern Studies(p. 39). Berlin and New York.
    More info
    https://www.degruyter.com/document/doi/10.1515/9783110285420.755/html
  • DiRoberto, K. L. (2010). "Sacred Parody in Robert Greene's Groatsworth of Wit.". In Laughter in the Middle Ages and Early Modern Times(p. 15). Berlin and New York: de Gruyter.
    More info
    https://www.degruyter.com/document/doi/10.1515/9783110245486.651/html

Journals/Publications

  • Diroberto, K. L. (2020). "Corrupting the Curriculum: The Abject in J-Horror, Shakespeare, and Digital Games". Shakespeare Bulletin John Hopkin's University Press, 2(38), 225-240.
    More info
    https://muse.jhu.edu/article/801834/pdf
  • Diroberto, K. L. (2018). "The Spectacle of Sovereignty: The Abject Multitude in Marlowe's The Massacre at Paris and Shakespeare's 1 Henry IV". Société Française Shakespeare, 1-33.
    More info
    https://journals.openedition.org/shakespeare/4083?lang=en
  • Diroberto, K. L. (2016). “’Oh, teach me how I should forget to think’: The Pedagogical Problems of Pleasure and Rigor in Social Media and Shakespeare. Borrowers and Lenders: The Journal of Shakespeare and Appropriations, 25.
    More info
    https://openjournals.libs.uga.edu/borrowers/article/view/2434

Presentations

  • Diroberto, K. L. (2024, Spring). Sacrificing the Bawdy: Feminine Excess and Christian Abundance in Measure for Measure. Renaissance Association of America. Chicago: Renaissance Association of America.
  • Diroberto, K. L. (2024, Spring). Veneration and Violence: Gender, Power, and Ambivalence in Shakespeare’s Titus Andronicus.. Shakespeare Association of America. Portland, Oregon.
  • Diroberto, K. L., Manone, E., & Miller-Cochran, S. (2024). “Critical Connections: A Collaborative Approach to Assessing Critical Thinking across Arizona’s Three State Universities”. AZ Transfer Summit. Ft. McDowell, AZ.
  • Diroberto, K. L. (2022). “Not where he eats, but where he is eaten”: Women, Servants, and the Appetite for Rebellion in Shakespeare’s Late Plays and Greene’s Euphues his Censure.
     
    . Shakespeare Association of AmericaSAA.
  • Diroberto, K. L. (2022, March). Why “The Homer of Women,” John Lyly’s influence on Robert Greene’s early dramatic production”. RSA Dublin 2022. Dublin Ireland: Renaissance Society of America.
    More info
    Queen Elizabeth became an icon of feminine agency in the plays of John Lyly, who provided an alternate narrative to Philip Sidney's allegorical representations of the Queen in The Lady of May and The Arcadia. Lyly's ruler is a passionate, charismatic, and often gender ambiguous. In this way, Lyly represents feminine sexuality in a remarkably liberal light and even goes so far as to rewrite Ovid (Sapho and Phao being a revision of Ovid's Heroines). Also in contrast with Sidney, he suggests that women are eminently capable of self-government. This paper argues that Lyly’s early dramatic work influenced many of the "university wits", especially Robert Greene, as is evident in Greene's radical rewriting of Orlando Furioso, in which Greene suggests that love does not cause Orlando’s madness, masculine competition, and manipulation do. Likewise, The Comical History of Alphonsus King of Aragon, incorporates figures like Medea, Iphigenia, and the Queen of the Amazons, revealing Greene was likewise inspired to a radical critique of patriarchy, and his plays were also very similar to the more radically feminist works of Lyly’s such as Galatea.
  • Diroberto, K. L. (2020, January). “Entwining Shakespeare: Digital Game Adaptation and the Co[[de]]modification of Community". International Conference on the Development and Assessment of Intercultural Competence. Tucson: Center for Educational Resources in Culture, Language and Literacy.
  • Diroberto, K. L. (2019, July). "Rich honesty dwells like a miser . . . as your pearl in your foul oyster" Abundance and Scarcity and the East-West Opposition in Shakespeare’s Pastoral Poetics. Shakespeare between the Crossroads of East and West: The Third Armenian Shakespeare Association International Conference. Moorat-Rapahel College, Venice, Italy: Armenian Shakespeare Association.
  • Diroberto, K. L. (2018, July/Summer). Nashe and the Homer of Women. Thomas Nashe and His Contemporaries. Newcastle United Kingdom: University of Newcastle.
  • Diroberto, K. L. (2017, January). The Specter of Sovereignty: The Uncanny Multitude in Marlowe’s The Massacre at Paris, “The Dutch Church Libel,” and Shakespeare’s 1 Henry IV. Shakespeare and Fear. Paris, France: French Shakespeare Society.
  • Diroberto, K. L. (2017, June). “Corrupting the Curriculum: J-Horror, Shakespeare, and Gender in Ringu, The Ring, and Titus Andronicus”. Shakespeare Technology and Media Performance. Exeter England: Shakespeare Bulletin.
  • Diroberto, K. L. (2017, March). “Gender and the Evolution of Criminal Procedure in Sir Philip Sidney’s Old Arcadia”. Renaissance Association of America. Chicago.

Reviews

  • Diroberto, K. L. (2023. Reading Robert Greene: Recovering Shakespeare's Rival. Darren Freebury-Jones. Routledge, 2022.(p. 4).
  • Diroberto, K. L. (2017. Peer Referee for the collection Education in the Borderlands: Promises, Utopias, and Realities(p. 2).
  • Diroberto, K. L. (2011. The English Clown Tradition from the Middle Ages to Shakespeare.
    More info
    https://www.jstor.org/stable/42587372
  • Diroberto, K. L. (2010. The Cambridge Companion to Puritanism.
    More info
    https://www.jstor.org/stable/i27867788

Other Teaching Materials

  • Diroberto, K. L. (2017. "Scanning Poems Using Natural Patterns of English Stress” the Electronic Resources, a supplement to Linguistics and English Literature: An Introduction. Douglas H. Adamson.. Cambridge University Press.
    More info
    Electronic Resource https://books.google.com/books/about/Linguistics_and_English_Literature.html?id=iwiKDwAAQBAJ&printsec=frontcover&newbks=1&newbks_redir=0&source=gb_mobile_entity

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